A Quote by Carlene Carter
My mother has always been open about all kinds of music and entertainment. She wanted us to see that it was not just country music and the Grand Ole Opry.
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What I loved about country music when I was a kid was the Grand Ole Opry, was 'Hee Haw,' was 360 degrees of entertainment.
What I loved about country music when I was a kid was the Grand Ole Opry, was Hee Haw, was 360 degrees of entertainment.
When I was growing up, Nashville was the place to go if you had songs to sell and thought you had talent and wanted to tour and be on Grand Ole Opry [radio show]. It was the big deal back in those days to play the Grand Ole Opry. And you could travel around the world saying, "Hi, I'm Willie from the Grand Ole Opry".
My earliest memories of country music are the Grand Ole Opry.
Jimmy Dickens was the essence of country music and the heart of the Grand Ole Opry.
Pilgrims travel to Jerusalem to see the Holy Land, and the foundations of their faith. People go to Washington, D.C. to see the workings of government, and the foundation of our country. And fans flock to Nashville to see the foundation of country music, the Grand Ole Opry.
When I was a little girl, I always dreamed of being a country music singer, but I never dreamed I'd be a member of the Grand Ole Opry.
I got to Nashville on Labor Day weekend in 1972. And the Grand Ole Opry is still there, the Country Music Hall of Fame is still there. And the roots of country music are still there. It's where the authenticity and the empowering force lies.
'Neil Young Heart of Gold', that was a valentine to Nashville and country music in the Grand Ole Opry tradition and Hank Williams.
My folks were country music performers. They made records and even did a few tours with the Grand Ole Opry. There always were a lot of guitarists around.
The Grand Ole Opry was my favorite. That's when I got to discover the stuff inside the Grand Ole Opry, like Hank Williams' clothes, the dressing room Taylor Swift stayed in and some other things. Then I got to perform.
I came out the back of the building and I was hollering, 'I've sung on the Grand Ole Opry! I've sung on the Grand Ole Opry!'
The Grand Ole Opry, to a country singer, is what Yankee Stadium is to a baseball player. Broadway to an actor. It's the top of the ladder, the top of the mountain. You don't just play the Opry; you live it.
Where I grew up in St. Louis, Saturday was country music day on television. We'd watch the Bill Anderson show, the Willie Nelson show, the Dolly Parton and Porter Wagoner show, and always the Grand Ole Opry. My parents were fans of that music, and my friend's parents would pull the TV out and watch those shows on the porch.
When I was asked if I wanted to perform on the Grand Ole Opry, I yelled, 'Are you kidding me?' I've been waiting for that my whole life. To be invited where so many of the greatest country artists have performed is an honor, and I still can't believe it has been bestowed on me. Just to stand in the circle where so many greats have stood-Hank Williams, Kitty Wells, I just couldn't believe it.
I'm just another Opry entertainer. I'm not the start of the Opry, and I'm not the ending. I'm not the Alpha, and I'm not the Omega. It's been a pleasure taking part in the Opry and country music these many years. I'm part of a big operation.
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