A Quote by Carlene Carter

I fly from the seat of my pants, basically. — © Carlene Carter
I fly from the seat of my pants, basically.
It's not that we fly by the seat of our pants. We're not afraid of failure.
I don't fly by the seat of my pants. I set strategies, and then I pursue those in unrelenting fashion.
I'm definitely someone who likes to fly by the seat of her pants. My mum always prays for the best.
The good thing about the Anvil school of filmmaking was that it was fly by the seat of your pants. There was no safety net.
You and I and everybody in show business and the entertainment industry fly by the seat of our pants. We don't know quite what is going to happen.
I don't plot with huge detail, just big moments and important elements, and then I have a structure but can fly by the seat of my pants when I write.
I'm sometimes described as a flamboyant leader and a hip-shooter, a fly-by-the-seat-of-the-pants operator. But if that were true, I could never have been successful in this business.
Flying by the seat of your pants precedes crashing by the seat of your pants.
Children have to fly on a separate plane, and people older than 60 have to fly on a separate plane also, because for some reason, after you get a little older, you forget that when you pull on the seat in front of you to get up from your seat that the person sitting in that seat actually feels something.
You can't teach an ear, you can't teach talent, but you can teach people who have those things not to just fly by the seat of their pants.
I've never been good at accepting jobs six months down the line. I can't do it. If I'm thinking about this, I can't think about that. So I always seem to fly by the seat of my pants.
You have to be a well-rounded leader. You can't fly by the seat of your pants anymore. You have to be incredibly tough-minded about standards of performance, but you also have to be incredibly tenderhearted with the people you're working with.
There are many ways to lead a life. It would always be ideal to have a paycheck coming in. But I really love this fly-by-the-seat-of-the-pants approach. It's scary and wonderful at the same time. I feel very open to many possibilities.
A lot of comics fly by the seat of their pants, and they pride themselves on being witty, quick, and off-the-cuff. That's not my show. I wrote a show, and I want to do the show I wrote. I'm not interested in what the audience has to say.
There's a thrill in flying by the seat of your pants - trousers, actually: 'pants' in English means underwear - because most shows don't operate that way. Network shows are repetitive.
The art of writing is the art of applying the seat of the pants to the seat of the chair.
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