A Quote by Carlene Carter
When I'm on stage, I know exactly where I am. It's not an ego thing or anything like that, but I am more in my body and aware of myself and aware of what I'm doing, and I feel more from that, from sharing the music.
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I don't have any choice any more. I am in a choiceless awareness. I don't have to be aware. I am simply aware. Now it is just like my heartbeat or like my breathing. Even if I try not to be aware, it is not possible; the very effort will make me more aware. Awareness is not a quality, a characteristic; it is your whole being. When you become aware, there is no choice left to be otherwise.
I know very well that I have no reason to feel aggrieved - I am fully aware of how lucky I am, but knowing it and still being down makes me hate myself all the more.
I mean, it's hard to talk about death without realizing that's our end too, right? I am constantly aware of death. It's not that I want to be, but it's a fascination of the mind and it plays a role in why I want to live my life a certain way. The more I am aware of my mortality the better person I am and the better I am at choosing a life that is aware of its beauty.
And I thought to myself, What am I doing? Am I reaching them at all? They are acting exactly as the old men did earlier. They are fifty years younger, maybe more, but doing the same thing those old men did who never attended school a day in their lives. Is it just a vicious circle? Am I doing anything?
"The first awareness of the child comes with his ego. He becomes aware of the "I", not of the Self. Really, he becomes aware first of the "thou". The child first becomes aware of his mother. Then, reflectively, he becomes aware of himself. First he becomes aware of objects around him. Then, by and by, he begins to feel that he is separate. This feeling of separation gives the feeling of ego, and because the child first becomes aware of the ego, ego becomes a covering on the Self. "
I am short, so even if there are things that I like, or like on other people, I have to be aware that sometimes that won't work on me because I'm not 5'10. It has to have a shape for my body; otherwise, I look like I am two inches tall. I have to wear things that skim my body more closely than a runway model would.
I am aware that I am very old now; but I am also aware that I have never been so young as I am now, in spirit, since I was fourteen and entertained Jim Wolf with the wasps. I am only able to perceive that I am old by a mental process; I am altogether unable to feel old in spirit. It is a pity, too, for my lapses from gravity must surely often be a reproach to me. When I am in the company of very young people I always feel that I am one of them, and they probably privately resent it.
I think it's become much harder because I'm more afraid of every step I take. I'm more aware of its ramifications, I'm more aware of the less creative aspects of music - like the business-side of things for example.
Normally classical music is set up so you have professionals on a stage and a bunch of audience - it's us versus them. You spend your entire time as an audience member looking at the back of the conductor so you're already aware of a certain kind of hierarchy when you are there: there are people who can do it, who are on stage, and you aren't on stage so you can't do it. There's also a conductor who is telling the people who are onstage exactly what to do and when to do it and so you know that person is more important than the people on stage.
I know how my body operates differently from what it did when it was 30 and when it was 20. As unhealthy as I am, I'm weirdly aware of exactly how my body functions.
Even if some days I feel like I'm ready to fall apart, I am ultimately happier than I've ever been. My family gives me more joy than I thought possible, and my career fulfills me tremendously. All in all, I feel like am in the exact place I am supposed to be in, doing exactly what I am supposed to be doing.
I don't think I change, but it definitely makes me aware of some of the things that are inside of me. Actually, because I have played a lot of villains up until now, I put something of myself into these roles. So when I see myself on the screen I'm more aware of when I'm like them in real life. I can feel it. That's the character you play; that's the guy you don't want to be. So I'm more in control of it.
The older I get, the one thing I can trust in myself more than anything else is the way I feel about something. When I photograph I try to be as aware of my feelings as I can be to somehow try and get them out of me and onto the film in terms of the way I am responding or seeing the world.
The comforting thing to the horse is, is as you become more and more accurate, he knows you’re aware of him, and pretty soon because of that he’s aware of you more and more of the time.
The moment I am aware that I am aware, I am not aware. Awareness means the observer is not.
I grow aware of various forms of man and of myself. I am form and I am formless, I am life and I am matter, mortal and immortal. I am one and many -- myself and humanity in flux.
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