A Quote by Carli Lloyd
I want to be strong. I want to be able to hit people. I want people to be able to bounce off me. When I go out there and play, I play to intimidate people. If someone gets hit down by me, they're going to think twice about coming near me again.
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I want to show people all of me, because that's what I haven't been doing. To be able to play so many instruments, and no one's ever seen me play, it seems like someone who's bluffing.
We, as sportsmen, we're not used to just sitting at home and being at home all day. We want to go out. We want to play sport. We want to be in the gym, want to train; we want to hit balls, and when you're not physically able to do that, it's really tough. It starts playing on the mind a lot more.
I don't want to have one hit, one song of the summer, and then have me disappear forever. I really want my things to last, and I want my songs and my bodies of work to resonate with people. I want to hit people - at least make a dent in them. I want to make a mark somehow.
That's what stock-car racing is. You hit someone, or you get hit. That's something I had to learn. It's a key factor in why I'm so aggressive. I don't want to have to hit you. But if you're going to hit me, I'm going to hit you.
For me, writing a song, I sit down and the process doesn't really involve me thinking about the demographic of people I'm trying to hit or who I want to be able to relate to the song or what genre of music it falls under.
For me, writing a song, I sit down and the process doesn't really involve me thinking about the demo-graphic of people I'm trying to hit or who I want to be able to relate to the song or what genre of music it falls under.
I'm not a real musician. If you give me a bass guitar and you ask me to improvise something, or even be with some musicians and follow them, I wouldn't be able to do it. And I want to change that. I want to be able to be in a group and take my guitar and play with them, without someone showing me, "Okay, you're going to do this and that," because music has always been a big part of my life.
I am tired, I want to go home. I want to continue my art work, I want to plant a garden, I want to walk in the forest, I want to walk in the fields, I just want to lie down on the grass and feel the sun against my skin. I want to be able to hold my family close to me and not have someone tell me time's up.
I feel I'm able to serve my customer by knowing what she or he wants. One of the ways I'm able to do this is through my website, and email: people give me great ideas, tell me what they want, what they don't want. It's really instrumental, and helps me stay in touch with people.
When something really hits me, it makes me want to either jump off something really high or lie down and be buried. I want people to get hit and caught by my music.
What I enjoy about the live experience is getting onstage, being handed a guitar that is in tune, taking it off mute, knowing that the very moment I want to play a note, I can play it. People are waiting on me and I'm waiting on me, and I have no idea what I'm going to play. That's the biggest joy in life.
You want to hit people's ears to make them want to dance in their kitchen. So that is what a hit is to me.
To me, trying to achieve the balance is when you become good: when you have enough technique to be able to play what is that you want, but also when you can refine what you want to communicate to people. As a younger person, it wasn't something I thought about so much.
I'm a blowfish. I'm not a shark, I'm a blowfish. So that perfect example about me hitting my head, it's like a blowfish. I wasn't coming out of my house going to a paparazzi's house to attack them. I'm defending my family in front of my own house. I'm defending my name as someone's screaming something negative at me. That's a blowfish. People have me pinned as a shark or a predator in some way, and in no way am I that. I wouldn't want to hurt anyone. I want to defend people. I want to help people.
People accuse me of being Methody, but I'm not at all. The one thing I don't want people to see is me. I don't want them to be able to recognize my faults and failures and qualities, and I won't use those things to spark off emotions or to illustrate.
Six months is the most you can ask of any fan in this day and age, with the Internet and all these new artists. I understand that my music is in a lot of mediums. Some people want me to make an R&B album. Some people want me to never sing again. I just don't want people to be able to draw comparisons between my old songs and my new ones.
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