A Quote by Carli Lloyd

I'm not getting recognized because I posed in a swimsuit edition of some magazine, but because of what I do on the field, and that's important to me. — © Carli Lloyd
I'm not getting recognized because I posed in a swimsuit edition of some magazine, but because of what I do on the field, and that's important to me.
The copies of The Catcher In The Rye or To Kill A Mockingbird that I own look like they were printed yesterday, and there's not a nick, not a blur, there's not any fading on the jacket at all, because they were taken and protected. A limited edition, by nature, is limited, and also probably more protected because of that. I'd rather have a first trade edition than a special one of 25 that was made years later, even if it's signed by the author. The trade edition is the Holy Grail.
The Iranian people are getting restive because of the challenges that sanctions have posed to their economy.
Life magazine ran a page featuring me and three other girls that was clearly the precursor of Sports Illustrated swimsuit issues
Life magazine ran a page featuring me and three other girls that was clearly the precursor of Sports Illustrated swimsuit issues.
My specialty as a collector is books that almost have value. When I love a book, I don't buy the first edition, because those have become incredibly expensive. But I might buy a beat-up copy of the second edition, third printing, which looks almost exactly the same as the first edition except that a couple of typos have been fixed.
The feminist movement has been important to me because it's made me feel less odd and also because it has made me understand some of the pressures on women which I was lucky enough to have escaped, perhaps because of my eccentricity or the oddness of my upbringing.
Getting recognized for my skill is very important to me. 'Raman Raghav 2.0' gave me that.
Well there's only one way to prepare for playing beach volleyball, and that's by getting in the sand. But offseason is really important because generally I'm staying off the sand and getting my feet under me, and it's really important for my body to know what it feels like to have sound footing under me.
I think it's important to do things you enjoy off the field because, if you just focus on baseball, you can go crazy. It's such a tough game with a lot of failure, so for me to do things like this, it's fun. When you're playing, especially in Chicago, you're in front of the camera a lot anyway. I'm slowly getting used to it.
I busted my tail for so long, I'm just glad it's getting recognized now as part of the WWE. Because let's face it, the WWE is the biggest company out there when it comes to wrestling. I'm just happy that I'm being recognized as somebody who works hard, I guess.
Of course, a lot of businesses want to reach students, so I funded the magazine by selling advertising. I sold something like $8,000 worth of advertising for the first edition, and that was in 1966. I printed up 50,000 copies, and I didn't even have to charge for them on the newsstand because my costs were already covered.
People know me because I play the monsters, but I'm most recognized from the small roles in which they see my face. None of that stuff really bothers me. Whether I'm recognized in or out of a costume isn't a kind of pressure I put myself through anymore.
I realized that I would have some very tough sledding, and I was very discouraged because I didn't see much hope of getting into the field I wanted to get into with no college education.
First, at a certain point, I wanted to have my own magazine, but I never could. Why? Because I am not commercial enough. The people who would have been able to give me my own magazine, they were not insulting me, but they would simply say, "It wouldn't work for you." And that was a big disappointment to me.
I just hate that Lucas... and it is not just Lucas, because everybody does it, where, boom, they get it out, and then there's a special edition for a movie that doesn't deserve a special edition.
Because I think of novels as collaborative enterprises between the writer and the reader, all of my novels so far have ending with endings that maybe point in more than one direction, and that seems important to me because it seems important to me that after you've invested twenty or thirty hours of your imaginative life into this narrative that you have some stake in how it ends.
This site uses cookies to ensure you get the best experience. More info...
Got it!