A Quote by Carlisle Floyd
It's amazing how fast generations lose sight of other generations. One of the first things the young composers who come to work with me say is that they want to write music people will like, instead of gaining their credentials by being rejected by the audience.
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I want young Indian composers to be able to do more than just film music. I want to give them the skills that will enable them to create their own palette of sounds instead of having to write formulaic music. It doesn't matter if they become sound engineers, producers, composers or performers - I want them to be as imaginative as they like.
A large animal needs a large area. If you protect that area, you're also protecting thousands of other plants and animals. You're saving all these species that future generations will want - you're saving the world for your children and your children's children. . . . The destruction of species is final. If you lose a species, you lose the genes, you lose all the potential drugs and potential foods that could be useful to the next generations. The ecosystems will not function as they have.
When you talk or write or film, you work with the music inside you, the music that formed you. Different generations have different musics in them, so whatever they do, it's going to come out differently, and it will speak in beats of their own generation.
In some of the estates, there are generations of people who have been without work, so the environment and the example passed down generations is the normality of being without work.
I don't have the privilege of choice to say, 'I want to work with you,' and the person will say, 'Yes, come on, I will write a film for you.' It doesn't happen for people like me who come from the outside.
As Bob Marley says, 'We must carry on.' So he has left us a legacy of music to carry on for generations and generations into generations.
Are we, as humans, gaining any insight on how to talk about ourselves and how something as abstract as a Charlie Parker record gets us into a dialogue about our emotions and our thoughts? Sometimes we lose sight that the music has a wider context. So I want to continue those dialogues. Those are the things I want to foster.
I want people to have their own visions for the dance. Some generations will sit back and relate to the music. And the young people ...they'll have the dance right in front of them.
It is true that one of the first acts of tyrants is to erase history, to wipe out the recorded memory of a people. With that in mind, it's important to remember that the work that we do as writers, artists and performers will form an essential part of the collective memory that future generations will draw upon. And so we owe it to those future generations to defend that memory and be honest witnesses to our times.
There was this kind of dictatorship of the Darmstadt school, composers like Boulez and Stockhausen, who were very strict and orthodox. They would not allow other composers to write the music they wanted to write, and only a certain kind of music could be played.
The younger generations have their own ideas, they have their own projects. When they talk, I am always surprised how much more lucid and cultivated they are and how they see things in a way that is much more complex than, for example, other generations did.
It's fun and super exciting to see how other people work, how other people write music, and how other people put things together. To me, it's an endless learning process, and I love doing it because everybody works so completely differently.
A whole generation of veteran composers has never taken a stand or provided an example and has produced in the music academies generations of docile workers for the music industry. What can you expect from downtrodden workers who see music as a type of profession, like stenography, and not an act of creation that by its nature is subversive?
I've had so many young girls come up to me after a show and say, 'How do I start putting my music on Bandcamp?' or 'I used to play music, but I don't anymore, and I really want to start writing again.' That's just the most amazing feeling.
It's amazing, if you know what you want to say, how fast it is to write.
New generations have unprecedented power to make great changes. Take the music business for example. The new generations have toppled the music industry by file sharing, downloading, and Myspace. Rock 'n' roll belongs to the people.
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