A Quote by Carlo Ancelotti

I have never seen a talent like Ronaldo. He always scores, scores, scores. The first game he played for Milan, Sienna away, I said to him, 'I can't put you on the pitch. You are 100kg.' 'Mister,' he said, 'don't worry, I will score.' I put him in, and he scored twice.
Ronaldo certainly scores goals, but I do too. He certainly scores more than I do, but we don't have the same style.
When test scores go up, we should worry, because of how poor a measure they are of what matters, and what you typically sacrifice in a desperate effort to raise scores.
I'm a firm believer that if the other side scores first, you have to score twice to win.
I worked on scores. I went to the musical library in Berlin which is very famous. I discovered that we had scores of Beethoven, printed scores of Beethoven, that are full of mistakes. Not the wrong or false notes, but the wrong dynamic, understandable things.
I have always said that a striker scores a goal but not every goal is scored by a striker. A goalkeeper can make a mistake which is a goal, but every goal still goes past him and you have to accept that.
The single largest variable that predicts SAT scores is family income. If you want higher SAT scores, you need to get your kids born into wealthier families. You know, it's great to tell kids to pull themselves up by their own boot straps, but you better put boots on them first.
I shared a dressing room with Alan Shearer. I used to watch the opposition looking at him, and they'd be thinking they need to score more than one because Shearer is going to score, and he scores every game. That psychological advantage is fantastic.
I seen an interview with Kobe; he said what separated him from a lot of people was everyone thought 30 points was a lot. He said he never set himself a limit, and that always sticks in my head. He said he'd score 100 if he could. So he never had a limit, I don't put a limit on anything.
The only thing is against Messi you can stop him 10 times, but if he passes you once and scores, people say, 'Evra played a poor game.'
I never watched TV because I was always doing a game. I didn't have any experience to be home watching games. I didn't know how to do it. Brent Musburger and those guys could sit and watch every game and know the scores. And I was amazed and said, 'I'd like to have something like that someday.'
Some of my favorite scores include Bernard Herrmann's Hitchcock scores.
Background scores allow me an absolute flight of the imagination, and I travel in my mind's eye. I do not like the scores to have vocal notes, because they act as a limitation to these flights of fancy.
Usually, a Brazilian doesn't like to work hard in training, doesn't like to stay focused. I trained a lot of Brazilian players. I had a problem with Ronaldo at Milan. It was not easy to get him fit! Ronaldo was 100kg but was the quickest in the 10 metre test!
I grew up on film scores and scores from films.
My interest in music tends toward being orchestral music. And the repertoire of music that exists is, to me, far more emotive than what is standardly used in movie scores. That isn't always. I think there've been some excellent movie scores by excellent directors. But for the most part, watching a film, one of today's movies, I think that the emotional undertone of movie scores is pretty poor.
Messi scores a goal and celebrates. Cristiano scores a goal and poses like he's in a shampoo commercial.
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