A Quote by Carlo Ancelotti

At the start of my two years at Juventus, I had big plans for the club, but it turned out that the Intertoto Cup was the only medal in my desk drawer when finally they told me to pack my bags. We started the first season really well, and Conte was so important for me.
Juventus' supporters called for Conte, however this is not the reason why the club signed him. I can explain it better: fans are obviously very important, but thinking that Juventus managers follow their moods would be wrong.
I was disappointed not to be able to sign [for Barcelona] last season. When the best club in the world calls you, then it is something that you want to happen. I have signed for the only club who really wanted me. In no moment did I ever think that Inter was a possibility. Rafa valued me and perhaps that is why people started saying that I could go there but this is the only club that pushed to sign me.
On Conte's first day, I told him that I wanted to join Atletico, and he was upset with me and didn't even look at me. Luckily, I started to score goals.
Pro Day was very important for me because that was really the only time that I had to prove that I could play at an NFL level and that was really through the physical drills they put me through which was running and throwing the ball. It turned out pretty well for me.
Sherlock: You're keeping a SCRAPBOOK. Only old ladies and pre-pubescent girls keep scrapbooks, John. John: It's not a scrapbook, Sherlock. I'm collecting papers relevant to the cases. It helps me remember the details. And it was locked away in my desk drawer. Sherlock: The lock on your desk drawer was insulting me with its pretense at security.
I got rid of my Instagram and had a flip phone for two years. I only started one after a friend told me someone was impersonating me.
I decided to be a filmmaker between my sophomore and junior years at Morehouse. Before I left for the summer of 1977, my advisor told me I really had to declare a major when I came back, because I'd used all my electives in my first two years. I went back to New York and I couldn't find a job. There were none to be had. And that previous Christmas someone gave me a Super-8 camera, so I just started to shoot stuff.
When I think of Arsenal, my favourite personal memory that I recall is scoring my first goal for the Club - away to Lazio in the Champions League. It was important because when you join a new club, you really want to score your first goal. It's where everything started for me at this club
When I went to my first FA Cup final, we had to pack bags in Tesco to raise enough money for a bus to London. Now, I own a house.
I was just in a few episodes the first season [ of Empire]. They didn't kill me, but I haven't been back in season two or three. I don't know if they have plans for me or not. But I enjoyed working on it. And I think it's a really talented group of actors and, boy, very enterprising to try and shoot those every week, you know, with musical numbers and all that stuff.
When I arrived at Juventus as the manager in 1999, Antonio Conte was the captain of the club, an Italy international, and a player who had a lot of influence in the dressing room - and when I needed a leader in the team, he was the obvious choice.
Juventus rejected an offer from Barcelona for me. It was a big offer, and that means I'm an important player for the club, and I have to thank them for that.
I signed for Mohun Bagan and then I got the news that Bhaichung also joined the club. The first day he met me he told me that I have heard about you and you are doing well. I told everyone in my family and friends that Bhaichung told me that.
The last two years, nationals have been close to home for me, so I've had big family support from friends and club support. Especially last year in Ottawa, I had a whole section my grandpa got for all my family, and the skating club (supported me). I feel like I'm a veteran at this now.
I started writing music in a season of my life where people were telling me I wasn't defined by mistakes, and God really loved me and was fighting for me, and there was a journey to be had with that. And I don't know of a more important message.
You can't reinvent the wheel. I remember when we first started out at 'Late Night,' we were trying to hire directors, and this guy was like, 'I see you behind a glass desk.' I don't. And he's like, 'Yeah, the glass desk.' I go, 'I don't really see me as a glass desk guy.'
This site uses cookies to ensure you get the best experience. More info...
Got it!