A Quote by Carlo Wolff

A master of tone and texture and an authority on the bizarre, Karen Russell writes with great flair and fearlessness. — © Carlo Wolff
A master of tone and texture and an authority on the bizarre, Karen Russell writes with great flair and fearlessness.
Just before I began doing this show [The Last Word ], a dear friend of mine, Karen Russell, asked me what I was going to do with the show.She meant how was I going to use this platform to do something important, something that I wouldn`t be able to do without an hour of real estate in cable news prime time.The K.I.N.D. fund is my answer to Karen Russell`s question, what are you going to do with this show?
Karen Russell learned to think from her father, someone Peter Gammons knows well, Boston Celtics legend Bill Russell, who used his prominence to support Martin Luther King Jr., to support the civil rights movement, and other important work, including work in Africa throughout his career. And Bill Russell is still at it.
Ric Flair is a wonderful person, and he was such a great in-ring performer. He had a great deal to do with the direction of the business. There are great characters that have come into this business, but Flair can't be duplicated.
Since I first picked up the violin, I've been very interested in tone and texture: I would have very visceral reactions to the texture of a snare drum or a pedal steel guitar or a violin.
I had a good time working with Russell Crowe, Ron Howard and Ed Harris. It was a great cast and Russell worked really hard, doing tons of research and questioning everything
I had a good time working with Russell Crowe, Ron Howard and Ed Harris. It was a great cast and Russell worked really hard, doing tons of research and questioning everything.
I was good at embarrassing authority. It was fun. There's a fearlessness that goes along with being a kid.
Bev Pettersen writes with flair and a down-to-earth warmth that will make you smile and sigh with contentment.
I don't want to say that having power is overrated, but powerlessness can give rise to a different kind of authority, and that's the kind of authority that writes books.
The texture my hair, my skin tone; it does work, you don't have to change. But historically we've seen fashion try to change that: straighten your hair, thrown on a super straight silky wig, lighten your skin tone.
I was a Ric Flair and Dusty Rhodes guy. Ric Flair continues to be my favorite wrestler of all time. I loved Harley Race and Nick Bockwinkel and all of those guys, but I'm a big Flair guy.
Karen will never die. Max Mutchnick, one of the creators of the show, has always maintained that Karen is a bat who balls up and hangs from a rafter and sleeps during the day and that she'll live forever.
There is something magical in seeing what you can do, what texture and tone and colour you can produce merely with a pen point and a bottle of ink.
It's great to be thought of as the master of anything. Even idiocy. Master of idiocy, Wes Craven. But if it's master of horror or fear or whatever, that's great.
I hate this bizarre policy of protective exclusion, because it effectively writes me off the page.
Russell Crowe as Capt. Jack Aubrey in Master and Commander: The Far Side of the World, .. most unlikely.
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