A Quote by Carlos Beruff

I cut to the point. I don't mealy-mouth around about it. — © Carlos Beruff
I cut to the point. I don't mealy-mouth around about it.
Guys, there's only one thing I hate more than bloggers who start sentences with 'guys' - and it's those mealy-mouth hipsters who crochet codpieces and their ye-olde-sideburned friends who pickle stuff and slaughter their own gluten-free goats.
There are an awful lot of things in the cut of street drugs that eventually make you sick. I reached a point where the skin around the edges of my fingernails used to hurt all the time. And it would peel away easily. Now, that must have been from some poison in the cut.
Meat, to me, it's slightly boring. Hold on, I love meat too, but only once in a while. You get a piece of meat, and you put it in your mouth, you chew, the first five seconds, all the juices flow around your mouth, they're gone, and then you are 20 more seconds chewing something that is tasteless at this point.
I don't think that I'm the smartest guy around, so I'm better off to keep my mouth shut as much as I can rather than opening my mouth and proving to people that I don't know what I'm talking about. I'm more of a leader by example than I am a preacher.
The thing I realized about final cut is it's the power of the best cut. I didn't have final cut on 'Prisoners,' but what you saw is the best cut. 'Sicario' is a directors' cut. 'Arrival' is a directors' cut.
As soon as the actor steps into the role, you probably can cut 50% of the lines because there's a person there now. And what a person does with their eyes, with their mouth, with their hands, the way they walk into a room, you can probably cut half the scene.
I've always made weird sounds with my mouth. I've always been fascinated by the sound design, what you can do with your mouth. I was the kid dancing around in third grade on the basketball court. While everyone would be playing sports, I would be jumping around.
With a documentary, you can cut away, you can do jump cuts, cut to a photograph at any point to bridge two scenes.
You can't pretend there has ever been anyone come close to doing what I did. Nobody you could name could touch me, and I'm talking about nobody who's around now, nobody who was around in my prime, and nobody who was around any time you can mention outta your mouth.
Ultraconservatism is, to me, so illogical. Everywhere you go, conservatives want to cut, cut, cut, cut - cut money for powerless people. So, that's the biggest problem I have with them.
Whatever you cut when there's no deadline isn't really a cut. You're just pushing colors around.
My mouth blooms like a cut.
And the word is capitalism. We are too mealy-mouthed. We fear the word capitalism is unpopular. So we talk about the free enterprise system and run to cover in the folds of the flag and talk about the American Way of Life.
My mother, who grew up in Pennsylvania, literally washed my mouth out with soap once for saying, 'Shut up!' to my sister. She would have washed my mouth out with gasoline if she knew how foul my mouth was racially when she wasn't around.
When I talk about football from a studio standpoint, I try to cut through the minutia and get to the point.
Once committed to fight, cut. Everything else is secondary. Cut. That is your duty, your purpose, your hunger. There is no rule more important, no commitment that overrides that one. Cut. Cut from the void, not from bewilderment. Cut the enemy as quickly and directly as possible. Cut decisively, resolutely. Cut into the enemy’s strength. Flow through the gaps in his guard. Cut him. Cut him down utterly. Don’t allow him a breath. Crush him. Cut him without mercy to the depths of his spirit." -Richard Rahl
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