A Quote by Carlos Castaneda
A warrior lives by acting, not by thinking about acting, nor by thinking about what he will think when he has finished acting.
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A man of knowledge lives by acting, not by thinking about acting.
I try to not think too much about how stuff gets seen as it's being done by a woman. Because if you think about it, then you end up thinking about how you're acting, and if you are thinking about how you're acting, then you are preoccupied and you're going to end up being insincere. You're kind of not present.
I felt that I was forgetting about all of the stresses when I was acting, and that's when I started thinking more seriously about acting.
Acting is not about competing. Acting is about cooperating. Acting is about collaboration. It's about your utility, your usefulness, your capacity to add to the work that has already been done and will be done. You're just part of a team. I never feel competitive about acting.
When I'm acting, that's all I'm doing. When I'm not acting, I'm not thinking about acting. If I'm writing, I'm just writing.
There came a point sometime during high school when I started thinking about exploring acting as a career, but it was more of an intention than an actual decision. I was very interested in a lot of different subjects, but every time I envisioned myself actually pursuing one as a career, I always ended up thinking that I would rather be acting.
A man of knowledge lives by acting, not by thinking about acting... Thus a man of knowledge sweats and puffs and if one looks at him he is just like an ordinary man, except that the folly of his life is under his control.
Lee Strasberg told me I had talent. Real talent. It was the first time that anyone, except my father--who had to say so--told me I was good. At anything. It was a turning point in my life. I went to bed thinking about acting. I woke up thinking about acting. It was like the roof had come off my life!
I try to think of acting in terms of thinking and doing. People think of it as, "Oh, let's get inside this guy." They think that acting is being, or feeling, or emoting. It's as much doing. One of the first things you do as an acting student is ask, "Can you say words and do a task at the same time, like sweep a floor?" You get to watch the human condition, and there's always a "doing" aspect of it. This couple, they're carrying backpacks, where are they going? Students? Or are they carrying instruments? It stimulates the imagination. So acting is doing ... and I forget how we got off on that.
This city can be kind of brutal, so you see your dreams from every different angle, but ultimately it's about acting and if you enjoy acting, you will always enjoy acting.
The thing is, with 'This Is England', you're always thinking as yourself. You're acting on an instinct. You're acting on what you've heard, what you've been told, and what's happened beforehand.
You have to remember that for more than half my life - probably until my children were born - acting was everything to me. I was obsessed by it, and I spent so much time just trying to get to the point where I was being paid to do it. Literally, I spent every waking moment thinking about acting.
Spaces of liberation are, in a certain way, some kind of social spaces where people can not only get together and think about something else, but also act together. If you are thinking about an elemental solidarity, you are thinking about people acting together and taking decisions together, and thereby beginning to think about what sort of society they want to create. So, there is a need for liberated spaces; that is really difficult.
Voicing acting is usually fun. I'm very curious about that world. I'm a fan of documentaries, as well, and the voice kind of makes it right. Mostly for me, though, it's all about the acting -you don't have to get hair and makeup and the whole bit. You just can have fun with the acting.
People talk about the difference between radio acting, TV acting and stage acting, but I think it's all the same. For instance, when I played Vultan in 'Flash Gordon,' I put as much energy into it as I would with 'King Lear' - it's all part of the same thing.
I don't have any theories about acting, and I don't think about how to do it, except that an actor shouldn't take himself too seriously, and shouldn't try to make acting something it isn't.
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