A Quote by Carlos Castaneda
Don Juan assured me that in order to accomplish the feat of making myself miserable I had to work in the most intense fashion, and that it was absurd. I had now realized I could work just the same in making myself complete and strong. "The trick is in what one emphasizes," he said. "We either make ourselves miserable, or we make ourselves strong. The amount of work is the same."
Related Quotes
The trick is in what one emphasizes. We either make ourselves miserable, or we make ourselves happy. The amount of work is the same.
We either make ourselves miserable, or we make ourselves strong. The amount of work is the same.
The first time I had work in a public space it felt very strange to see people that I didn't know looking and, and presumably commenting on, my work. Nowadays, I'm a bit more fatalistic - they either like the work or they don't and there's not a lot I can do about that. The trick seems to be not to get too pissed on open nights so that I can answer any questions without making a fool of myself. Doesn't always work!
When I was young, I said to myself, "You've got to make the most of your life." It's all about taking risks. Push yourself to do as much exploration as possible. Find yourself. Because sometimes we think we've found ourselves, but it's only part of ourselves we've found. We haven't pushed ourselves far out there where we make mistakes and things don't work out, but at least we've discovered something. I felt that's what my life had to be.
In reality of everyday occurrences I've had to submit to people in order not to lose them. It's less the submission that bothers me, I guess, than how it makes my life miserable. And what happens if I can't forgive myself for making that choice? And what if, in order to keep on living, I have to continue to accept myself? What am I supposed to do? Conclusion: It'd be best if I'm destroyed. The best thing is for me just to vanish.
Work outside of school hours was a necessity at an early age, and with such time as I had I turned toward interests of my own devising, making things, experimenting, and planning for the future. I had read of Thomas Alva Edison and other successful inventors, and the idea of making an invention appealed to me as one of the few available means to accomplish a change in one's economic status, while at the same time bringing to focus my interest in technical things and making it possible to make a contribution to society as well.
I'm not done yet making people miserable. If they're going to make me miserable, then I'm going to make them miserable.
There's a few historical reasons for why git was considered complicated. One of them is that it was complicated. The people who started using git very early on in order to work on the kernel really had to learn a very rough set of scripts to make everything work. All the effort had been on making the core technology work and very little on making it easy or obvious.
The first time I was paid was with 'The Lobster,' because with the Greek films, we just had to pay ourselves - work for free while making commercials in order to survive.
Work, work, proletarians, to increase social wealth and your individual poverty; work, work, in order that becoming poorer, you may have more reason to work and become miserable. Such is the inexorable law of capitalist production.
Making a record? You've got to have the song, then you create a record. I think it's the same with a live performance. If the material is strong, you're already 90% there. I always tell young people it's all about the music, the songs. Work on the songs, work on the songs, work on the songs.
They rejected me as a player. Newcastle said I wasn't going to be big or strong enough to make the grade, Burnley said the same. Most people said the same to be fair.
You just have to work, we all have to work really hard to take care of ourselves and feed ourselves good information, just like we feed ourselves good food. Feed ourselves good books and good messaging and the things that make us feel like we can be connected with ourselves and others in a deeper way.
In front of the model I work with the same will to reproduce truth as if I were making a portrait. I do not correct nature, I incorporate myself into it; it directs me. I can only work with a model. The sight of human forms nourishes and comforts me.
When people asked to buy my work I always said no. I'd had this rather rarefied idea that I didn't want money going through my head while I was making work. But after the car crash I realized that none of my work was owned by anyone. After that, I grew up a bit.
Acting is so difficult for me that, unless the work is of a certain stature in my mind, unless I reach the expectations I have of myself, I'm unhappy. Then it's a miserable existence. I'm putting a piece of myself out there. If it doesn't do anything, I feel so ashamed. I'm afraid I'll be the kind of actor who thought he would make a difference and didn't. Right now, though, I feel like I made a little bit of difference.
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