A Quote by Carlos Delgado
If you hit, they're going to like you. If you don't hit, they're not going to like you.
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That's what stock-car racing is. You hit someone, or you get hit. That's something I had to learn. It's a key factor in why I'm so aggressive. I don't want to have to hit you. But if you're going to hit me, I'm going to hit you.
When I graduated, I was going to go to school for law, but had such an affinity for hip-hop. It was like walking into a casino and I decided to bet everything on hip-hop, and I hit! My hit wasn't just a hit for me, it was a hit for everyone in this culture.
I mean, [Donald Trump] is going to get hit. He's going to get hit often. He's not going to like it. That's the way it works, you know.
I tended not to be concerned about whether a song was going to be a hit when I wrote it. Because it became evident that none of us knew what was a hit and what wasn't. So I thought if I just write what I like, why shouldn't people like what I like?
It's like, on my solo stuff, every single person who buys the record, gets it. On the other stuff, the masses... when you have a hit on the radio, not everyone's going to get it. They are going to buy it for the hit.
The ball comes into the box and you have no idea how it is going to fall. You cannot have thoughts in your head, like, 'It is on my left, I am not going to hit it.' You just have to take it in your stride and hit the target. That is exactly what I try to do.
You don't just go to the studio and say, 'I'm going to write a hit.' It becomes a hit when people like your compositions.
I feel like as a linebacker or a D-lineman, any cut, it's a man sport -- be a man, hit me up high, Hit like rams. You don't see a ram going and cutting another ram's legs. They hit head to head, pad to pad.
But it's not just "Do you want a hit?" More importantly, it has to be something we - the artist and I - like. If you go in just wanting a hit song, it's not going to happen that way. You have to first be committed to making music you like.
Going to regular public high school and working and auditioning was really, really tough. I never really fit in and hit the stride that all the other kids were on. Instead of going out and hanging out with my friends at that age, I remember being in my bedroom and putting on like a Christina Aguilera tape and just like belting. And seeing if I could hit every single note just like her.
Sometimes you go to home plate, and you have an idea, like a clear idea, of what they're going to throw to you. I think that's all: getting better pitches to hit, realizing when you hit the ball better, what pitch you hit, if you're chasing too much. If you figure out all that, you can get a little better as a player.
Fighting is kind of like choreography. It's not just get in there and punching someone: you have to have choreography. Someone is going to hit high; someone is going to hit at the bottom.
The crazy thing is, the last club I ever learned to hit was my driver. My brother and I ended up being known for our distance, but we had no idea how far we could hit the ball because we hit it the same, and all of a sudden, we're going to tournaments, and we're driving the par-4s. At 10 years old, I was hitting it, like, 240.
I've hit 1, 2 and surprisingly I've hit 3 most of my life. Not that I'm going to be hitting 3, but I feel like those are three really different positions in the lineup. And I feel like I've done all of them. I know what's expected at each one of those, and I feel like you can take that experience away.
"The Prince Of Tides" is a lot about my mother - what my mother would do after Dad would hit one of the kids or hit two of the kids, hit all the kids, hit her, she would usually get in the car. We'd drive out. She would say, I'm going to divorce him. I'm never going back.
If someone's going to throw me in, I'm not gong to try and hit a ground ball to third, you know? I'm going to try and hit it in the air. If someone's going to throw me away, I'm not going to try and hit a ground ball to second, I'm going to drive it to right-center.
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