A Quote by Carlos Fuentes

Under the veneer of Westernization, the cultures of the Indian world - which have existed for 30,000 years! - continue to live. Sometimes in a magical way, sometimes in the shadows.
Look, we have existed for 4,000 years - 2,000 years in diaspora, in exile. Nobody in the Middle East speaks their original language but Israel. When we started 64 years ago, we were 650,000 people. So, you know, we are maybe swimming a little bit against the stream, but we continue to swim.
In a city like London, the fact that cultures live together and cross-fertilize is a beautiful and natural thing. The many cultures in Amsterdam contribute to the city's high level of craziness - something which every interesting city should offer. But sometimes immigrants can live in parallel worlds which can exclude others and not be very attractive.
We say it is idealistic to think we can continue to live the way we live - with 5% of the world using half the world's resources, with $20,000 a second being spent on war.
We regard those other cultures, such as that of India, where many people live and believe and behave much as they did 1,000 or 2,000 years ago, as undeveloped.
I think sometimes when you speak about something like 'Indian classical music' and 'ragas,' and all of that's new to people, it can be quite intimidating, in the same way that I have sometimes found opera and Wagner intimidating - one doesn't know where to begin sometimes.
So sometimes things are ahead and sometimes they are behind; Sometimes breathing is hard, sometimes it comes easily; Sometimes there is strength and sometimes weakness; Sometimes one is up and sometimes down. Therefore the sage avoids extremes, excesses, and complacency.
The following twenty years would be the nadir of American Indian history, as the total Indian population between 1890 and 1910 fell to fewer than 250,000. (It was not until 1917 that Indian births exceeded deaths for the first time in fifty years.)
To create anything โ€” whether a short story or a magazine profile or a film or a sitcom โ€” is to believe, if only momentarily, you are capable of magic. These essays are about that magic โ€” which is sometimes perilous, sometimes infectious, sometimes fragile, sometimes failed, sometimes infuriating, sometimes triumphant, and sometimes tragic. I went up there. I wrote. I tried to see.
Sometimes I feel like if you just watch things, just sit still and let the world exist in front of you - sometimes I swear that just for a second time freezes and the world pauses in its tilt. Just for a second. And if you somehow found a way to live in that second, then you would live forever.
I speak a little Portuguese, but my daughter speaks it better than me. I always feel that Italy is my home, but it is important for my husband that we also live in France. Sometimes we live as a family all together, but as we are two working actors, sometimes we have to be apart. Sometimes I'm shooting a movie; sometimes he is.
You can't, in the 21st century, continue to live in a system where people live under martial law for 30 years.
What the art historians had forgotten is that in Chinese, Japanese, Persian, and Indian art, they never painted shadows. Why did they paint shadows in European art? Shadows are because of optics. Optics need shadows and strong light. Strong light makes the deepest shadows. It took me a few years to realize fully that the art historians didn't grasp that. There are a lot of interesting new things, ideas, pictures.
People who are slavish to a fantasy ideology become very lonely in the world. It's very alienating and sometimes reality is very threatening to this magical way of thinking. On the other hand, if it is a politician or leader that chooses for whatever reason to remain in this state of magical thinking, then they should be called out for it strongly and repeatedly.
Shadows sometimes people don't see shadows. The Chinese of course never paint them in pictures, oriental art never deals with shadow. But I noticed these shadows and I knew it meant it was sunny.
Sometimes just being on a beach with my loved ones is all the adventure I need. I am a happy camper and continue to be a citizen of the world. I have yet to discover other cultures, other peoples dreams and treasures. I will always be a traveler who is discovering beautiful Gaia.
Sometimes just being on a beach with my loved ones is all the adventure I need. I am a happy camper and continue to be a citizen of the world. I have yet to discover other cultures, other peoples' dreams and treasures. I will always be a traveler who is discovering beautiful Gaia.
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