A Quote by Carlos Fuentes

One puts off the biography like you put off death. To write an autobiography is to etch the words on your own gravestone. — © Carlos Fuentes
One puts off the biography like you put off death. To write an autobiography is to etch the words on your own gravestone.
It's a feature of our age that if you write a work of fiction, everyone assumes that the people and events in it are disguised biography — but if you write your biography, it's equally assumed you're lying your head off.
Do not put your work off till to-morrow and the day after; for a sluggish worker does not fill his barn, nor one who puts off his work: industry makes work go well, but a man who puts off work is always at hand-grips with ruin.
If you want to write, do two things - read lots of books and also, in your own writing, practise. Just write and write and then write again. persist. And never be put off or discouraged. You can do it!
Well, I would hardly say I do write as yet. But I write because I like words. I suppose if I liked stone I might carve. I like words. I like reading. I notice particular words. That sets me off.
I have always hated biography, and more especially, autobiography. If biography, the writer invariably finds it necessary to plaster the subject with praises, flattery and adulation and to invest him with all the Christian graces. If autobiography, the same plan is followed, but the writer apologizes for it.
I began to write when I was seven, and I have been writing off and on ever since. It is still off and on. You can say that when I am on, when I know I have a book which I am going to write, then I write two thousand words a day. That's so many pages longhand.
It means that no matter what you write, be it a biography, an autobiography, a detective novel, or a conversation on the street, it all becomes fiction as soon as you write it down.
I get so much inspiration from my travels, but I also started an exercise where I write down so many words every week. Then I begin crossing them off. We create a grid of words and also images, but words for me are more ample because you can interpret them your own way.
The fist of a revolutionist must be hard like a gravestone; if not, his own gravestone will soon be erected!
Switch off the mind and let the heart decide who you were meant to be Flick to remote and let the body glide There is no enemy! Etch out a future of your own design Well tailored to your needs Then fan the flame and keep the dream alive ... ...the future is roses! Roses!
Siamese twins are interesting because they are the only people who can write a biography and an autobiography at the same time.
I like the city. I like the concrete. I like big business. I like being a CEO of my own company and having a lot of responsibilities. At the same time, when I can go off with a backpack or off on a surfboard or even off on a run somewhere in the woods - that's where I'm really happy.
Put off your imagination, as you put off your overcoat, when you enter the laboratory. Put it on again, as you put on your overcoat, when you leave.
I've been working very hard off-off-off-off-off-off-off Broadway and doing little films and really sweating my butt off in tiny little black boxes.
I was interested in the ways we can write biography. When you're first starting to write about your own life it feels so shapeless because you don't know how to make your own story cohesive. How do I pluck a story out of the entirety of what it means to be alive. It occurred to me recently that when you're telling a story about your own life, rather than taking a chunk, you're kinda like lifting a thread from a loom.
I started off like everyone else does, slogging but having a compulsion to put words on paper. I didn't write or read horror or fantasy, other than children's fantasy, until I was in my teens
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