A Quote by Carlos Mencia

If you're Filipino, you're the beaner of the Asian community 'cause you're just like us. You're indigenous people that got banged by some Spaniards. That's why you have names like Kwan Ping Del Toro.
Out of nowhere she tells me that Oliver Stone - you know, the director - she's like, 'He has this huge Asian fetish, and I find it totally offensive.' And I'm like, 'Why, Kwan? That sounds awesome.' She's like, 'I'm offended because I'm Asian.' And I was just like, 'Well, I'm sorry, but I didn't even notice that. I thought you were just really tired.
I remember my first meeting with Guillermo Del Toro - he couldn't have been warmer, but I always had a kind of immaturity about me dealing with people that were in charge. Not really knowing how to conduct myself. And I got on the floor and curled up into a ball under a desk, which is so weird - as I was doing it, I was like, "Oh, my god, you're a freak. Get up. What are you doing?" And I looked at him like, "I'm so sorry," and he's like, "No, it's natural. Why wouldn't you want to do that?" He's just the most giving person and made me feel not like a freak.
The first set I ended up on was Guillermo del Toro's 'Pacific Rim' that was shooting in Toronto and they needed a bunch of Asian extras, and for some reason they put their ad on Craigslist.
I am ambitious, and I'm excited for my career to grow, and I do want to represent the Asian community and the Filipino community.
The Big Bang theory says nothing about what banged, why it banged, or what happened before it banged.
I feel like there's this need that the Asian-American community has to feel like people. It's something that Asians in Asia do not understand about us.
Because Guillermo's [del Toro] obviously a painter painting a picture and my job is just to provide the color that he probably already has in his mind.
Unlike some of my other dharma brothers who got names that were very long and obscure, and nobody could remember or pronounce, that they didn't like. They wanted to give their names back, but it wasn't like that, it wasn't transactional. He would name some people and say 'you're married', and then they were married, but you know it wasn't really transactional.
I went to a festival pretending to work as a journalist to get free tickets and interview people I really admired. I remember one of these people was Guillermo del Toro.
You could have names like Hatred; you could have names that mean something like Suffering or Poverty. So names are not just names: names have real meaning, and they tend to tell the world about the circumstances of your parents at the time that you were born.
My Hellboy is modeled on my father in some ways: a guy who's been in the Korean War, and he's traveled, and he's done a lot of stuff, and he's kind of got a been there, done that attitude. He's also been in the world. Del Toro's change was to have Hellboy bottled up in a room and mooning over the girl he can't have.
One of the big things for me that's been exciting is seeing the Asian-American community coming out, because I'm Filipino and Swedish and Irish.
I think the three Mexican directors - Alejandro Inarritu, Alfonso Cuaron, Guillermo del Toro - gave all of us foreign, and particularly Latino, directors a big break.
I thought Pan's Labyrinth was one of the greatest films I've ever seen, just pure artistry. Guillermo Del Toro is just really something, this guy. And he's a real mensch: down-to-earth, funny, huggy, and terrific.
The fact that I am a Filipino actor playing a Filipino role is crazy. Filipinos are the second largest Asian minority in the United States, and we're hardly represented in the media and on television.
Years ago, there was one Asian person in a soap and the entire Asian acting community was going for that role. Now, you can find a few different Asian people, and their character isn't entirely based on their religion or culture: they just happen to be in a soap.
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