A Quote by Carlos Mencia

When I tell a joke, I immediately know whether it's funny or not. — © Carlos Mencia
When I tell a joke, I immediately know whether it's funny or not.
A joke is either funny or it's not funny. If I hear a funny joke, you know what I do? I laugh, that's what I do. I don't start a focus group to see who got hurt by the joke.
I always say, if I tell you a joke right now and it's funny, you laugh. Now, we set the lights, and I tell you the joke again, it's hard to find it funny the second time.
I have become a giant fan of the testing process, especially with a comedy. I mean, they tell you what's funny. It's almost tailor-made for people who shoot the way we shoot, trying a million different options and versions of things. Because the audience doesn't laugh at a joke, we put in another joke. If they don't laugh at the next joke, we put in another joke. You just keep doing them and you can get the movie to the point where every joke is funny, if you have enough options in the can.
In a live show, the reaction to our jokes is instant. You know immediately whether the joke is working or not.
I wanted to be clever, but being funny came first. That's how you know someone is clever. They don't come out and tell you pi to 13 places - they tell you a joke.
Funny stories on set - there are thousands of them, but they are only funny to the people who were on the movies. You start to have inside jokes and gallows humor. You have all kinds of things you laugh at, but as soon as you tell somebody, the joke falls flat because they don't know the context of it.
"I've learned what's funny verbally ain't so funny on e-mail: They don't hear your intonations. Melissa broke up with somebody over that. She tried to tell him: "That was a joke!" But he just didn't get it. Mick Jagger said, "F- 'em if they don't get the joke." And I love him. That comes with age: Knowing it's their problem, not mine."
Writing a book has about it some of the anxiety of telling a joke and having to wait several years to know whether or not it was funny.
Any joke can be funny, but not any joke is funny. Any joke has the potential to be hilarious to you, but more importantly, the joke has the potential to not be funny to you but to someone else.
I didn't know if I could be funny on stage or write a joke. But I saw that there are no rules. If you're funny offstage, you can figure out a way to be funny onstage.
Humor has the tendency to be funny once. If I tell you a joke, we're going to have a big laugh. But the second time I tell the joke, it's going to be a bit strange, and the third time you're going to ask if there's something wrong with me. So I am very cautious with jokes, but there is a lightness in my work.
You never want to defend a joke. People get to choose whether or not to laugh and whether or not they think something is funny.
I don't know how to tell a joke. I never tell jokes. I can tell stories that happened to me... anecdotes. But never a joke.
Dominic Sherwood would always tell me a joke right before it was my take or my close up. He'd say a funny joke, and I couldn't stop laughing, even after they said, 'Action.'
Everybody I know who is funny, it's in them. You can teach timing, or some people are able to tell a joke, though I don't like to tell jokes. But I think you have to be born with a sense of humor and a sense of timing.
What I usually do is tell funny stories from the road, many of which are, of course, unprintable. But I don't actually have a joke. I don't tell jokes much. I tell little stories.
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