A Quote by Carlos Mencia

When I'm onstage, I'm on, but a different part of me is on: the part of me that absorbs life, sees everything occurring, and touches on everything around me. — © Carlos Mencia
When I'm onstage, I'm on, but a different part of me is on: the part of me that absorbs life, sees everything occurring, and touches on everything around me.
My lifestyle, my life, everything has changed because of this show. Has it made me look different? Yes, it's changed everything for me, everything from this show. And I cannot thank every single part of 'Sons of Anarchy' enough.
I remember times when I was at shows and the person onstage locked eyes with me. And in that moment, everything was right with the world. I think that's part of my job, to create these thousands of moments every night. And for the rest of their life, they can say, 'You guys looked at me,' or 'You sweated on me,' or 'I got your gum.'
Over time, years of meditation gave me glimpses of the interconnectedness and interdependence of all life. I experienced that on one level we are alone, separate, apart from everyone and everything; on another level, we are the Self in different disguises, different names and forms, a part of everyone and everything. This experience of interconnectedness is part of spiritual traditions and the perennial wisdom in virtually all religions and cultures.
Part of me sees myself as talented, and the other part sees me as strange. Ideas get stuck in your head and nothing changes them. Not even fame.
It hurts more than anything in the world because even though it might not be the case, it feels like you've chosen your child over me. 'I haven't there is no choice. She's part of me. You're part of me too. It's like...I don't know...asking me to pick between my heart and my lungs.' 'I know, but the thing is, you are my heart and my lungs. You're everything to me. And what hurts is that I know i used to be everything to you.
There's a part of me that wants to go streak and run outside and jump around and go swim in the ocean and do everything. The other part of me wants to bear down and repeat this kind of performance next year and in the years to come.
I become an actress to do things that scare the sh*t out of me and I felt like I didn't stand a chance to get this part because people have preconceived notions about me, but if they gave me the part, I would do everything in my power to not screw it up.
Racing, competing, it's in my blood. It's part of me, it's part of my life; I have been doing it all my life and it stands out above everything else.
I'm too measured and controlling - about everything. That's why I take Lexapro. It's for OCD. I don't feel like I'm struggling with it. I think OCD is a part of me that protects me. It's also the part of me that I use in my job, in a positive way.
Recovery is an ongoing project that is really discrete from everything else in my life. It allows me to be an agent, allows me to write, allows me to be married, allows me to be part of a family. The writing is not a support beam of recovery but a happy consequence of it.
I really want to see everything. If it's around me and it's part of my show, I need to be a part of all of it. From the creation of the music, to the surface of the floor, to everyone's hairstyle, to the details with the buttons and the bows and the snaps and the zippers. All of those things!
There's the part of me that's the organizer, part of me that's the artist, part of me that's the person who, even with those two things, wants to figure out what my place in the world is. How to engage with it and whether my life has any meaning.
Maybe I had a 'secret identity,' but then when you think about it, don't we all? A part of ourselves very few people ever get to see. The part we think of as 'me.' The part that deals with the big stuff. Makes the real choices. The part everything else is a reflection of.
Part of me loves and respects men so desperately, and part of me thinks they are so embarrassingly incompetent at life and in love. You have to teach them the very basics of emotional literacy. You have to teach them how to be there for you, and part of me feels tender toward them and gentle, and part of me is so afraid of them, afraid of any more violation.
Onstage it was always comfortable for me because that's where I felt at home. Offstage it was a different situation. I was still shy offstage and unfortunately, my shyness and my inability to communicate and really have great conversations or be part of the gang - in inverted commas - led me to the drug addiction, which, you know, blighted my life for 16 years because I thought by doing that it would make me join in.
Why am I sharing this part of my life when it opens me up to judgment? But part of me wants to share that part of my life because I think non-monogamy is a normal thing for human beings to want.
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