Acting is reacting. That's when acting is great - when you say something, somebody said something, they make a face, they pose, they use something physical, then you react to that, then they react to you.
Good acting is about reacting, not tryingto express something, but reacting to a situation as the character.I don't like acting acting.
Paul Schofield said something like, 'If I'm not acting in a play, I don't really exist.' Those weren't the exact words, but he meant it's only when I'm acting in a play that I've got something to say about the world. And then why should I talk, when people can come to see it?
The best way to test whether you are saying the truth or not - if you say something and people don't react then it's not the real truth. But if people start reacting then what you are saying has got an element of truth.
Acting is nothing but reacting, so if your co-stars react in a particular way, it does affect your acting as well.
In the course of interviewing, I've discovered that if you don't give your guest something to react to, they don't react. They simply say what they've been saying every time they've been interviewed. The last thing you want is to have people say to you what they've said to someone else.
Rain amplifies your mistakes, and water on the track can make your car handle unpredictably. When something unpredictable happens you have to react to it; if you’re reacting at speed, you’re reacting too late. And so you should be afraid.
Acting is reacting. You can't react if you're not paying attention, if you're not listening.
When I make a tackle or make a play and I have a slight pain or something, you're going to react the way you react.
Acting is reacting, and it's always easier to react when someone is doing a good job.
I'm more interested in knowing my cues than my lines. If you know what your cues are, then you know what your reaction is going to be to them. Acting is about reacting, and if I can kind of purely react, that's easier for me.
They're reacting and that's wonderful. It's better than them sitting there doing nothing. I say make them react - do whatever's in your power to move the audience, and if that's where it is, and there where it is with America, sex and violence, then I say project it.
I had no idea what being on stage would be like or how I'd react to the applause. I didn't think I deserved their applause. Then I realized I'd done something to make them feel something. That made it okay. But it was weird. A nice weird.
Acting is the least mysterious of all crafts. Whenever we want something from somebody or when we want to hide something or pretend, we're acting. Most people do it all day long.
If someone hates or loves something, then right on. I can't rob them of that. I'm not going to try and change their mind. Something's been triggered in them to react so emotionally.
When something terrible happens, how you react determines who you are from then on.
Somebody has said something - or not just somebody, hundreds, thousands of people have something negative to say about me. I have learned that if I'm going to continue to do what I'm supposed to do and move forward, then I cannot let that faze me.