A Quote by Carlos Mencia

When you have a TV show, and you're selling out 10,000 seats or whatever the hell it is, it's not that it becomes easy. It's just that's what your life is like. — © Carlos Mencia
When you have a TV show, and you're selling out 10,000 seats or whatever the hell it is, it's not that it becomes easy. It's just that's what your life is like.
Writing and producing the show is an intellectual process. Performing the show is far more athletic and intuitive, because you don't get to do it twice. It helps if you've done whatever the old saw is, 10,000 hours of it. Because I've done 10,000 hours of comedy, I have this database in my mind of what works and what doesn't work.
Getting 10,000 listeners for a free podcast novel is a lot easier than selling 10,000 hardcover novels at $25 a pop.
I'm not as surprised in going from playing 1,000 seats to 4,000 seats as I was from 100 to 500 seats.
Politicians have a tremendous amount of ego to be able to do it. It's very hard when the product your selling to an entire country is yourself and you're just selling the hell out of it all the time.
Sometimes in golf I've got 10,000 people watching me. Cameras are easy. Doing the Jay Leno show was easy.
I've always felt that, when I looked at my tombstone, it shouldn't say, 'Mehmet Oz banged out 10,000 open-heart operations.' I've probably done 5,000. Am I any better at it than 10,000? He shook his head. It's just a different number on the tombstone.
There's no job like 'SNL.' There's no other job you go to where you're like, 'Oh, this is like that live, late-night sketch variety-musical show that shoots in, whatever it is, 10,000 feet of sound stage.' There's nothing like it.
If you like standup and decide that it's overtaking your life and want to hate it, watch 1,000 standup comedians who are trying to get on a TV show.
I hate feeling like a prisoner. I show up somewhere, and I can't explore the city because there's, like, 6,000 to 10,000 people on the lookout for me.
In France, anyone can use your music on like a TV show or whatever - they don't need to ask permission. It's almost like a child when it has its own life.
I have a lot of difficulty in a business culture that is only interested in making money. I can't see the point. What's the point of spending £10,000 just to make £20,000? Why not just keep the £10,000?
Whether the theater is 1,000 seats or 500 seats or 200 seats, you have to make sure the person in the back of the theater can hear you and understand you. So there's a lot of articulation and a lot of voice in theater that really just isn't necessary when it comes to dealing with the camera.
If you just concentrate on what you're doing and allow yourself to actually enjoy and let your feelings come out, whatever the tempos, whatever the rhythms, whatever the songs, 9 out of 10 times it will work.
I like to go out there and be organic and improvise off the energy I feel from the crowd, whether it's 50,000 or 20,000 or 10,000 people in the audience.
A fashion show is like a 10-minute play, but there's all this anticipation; Everyone arriving, finding their seats, then there's 10 minutes of people walking past and clothes and music, then the whole thing is finished.
Playing a TV character for seven years is almost like when you do a play. You live, breathe, and everything else with that character 24-7 for six months or four months or whatever, and that gets very deep in your blood. When you do a TV character for seven years, that's a long time. It becomes a seminal era in your life.
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