A Quote by Carlos Mencia

I was a very cocky and unlikable young comic. But I came from the hood, and that's what I learned. — © Carlos Mencia
I was a very cocky and unlikable young comic. But I came from the hood, and that's what I learned.
At a young age, I was interested in comic books, which was really how I learnt to read. The name Cage came from a comic book character called Power Man.
This is not to be cocky, but, I go over real well at Comic-Con. I've done quite a few Comic-Cons, and I enjoy the hell out of them. They are so much fun, and so bizarre. I've done the FX Show in Florida, Wizard-World in Chicago, Comic-Con in San Diego, Wonder-Con in San Francisco, the Comic-Con in New York, and I've done them numerous times.
If you're a young black dude from the hood you want to come through the hood in a car that makes a lot of noise.
I came in with a very specific idea about what a Doctor Strange movie should be, which was rooted in the comics, and I thought it should be as weird and as visually ambitious compared to modern comic book movies as the comic was when it showed up in the '60s compared to other comic books at the time.
I wanted to do comic books... as a comic book artist, as an illustrator. But I'm not very good so I thought I should do something else! So I went to a film school when I was seventeen and came out when I was nineteen.
When my children were young, I was very cocky. I thought I could maintain total control.
When I was very young, biology, the diversity of life, was one of my main interests. I know there's this image people have that I'm this spoiled, cocky punk of an actor. Honestly, that's not who I am. I really care that so many species have been wiped out, like genocide of entire races. I believe in the divine right of all species to survive on this planet. So I decided I want to be active as an environmentalist. I learned. I asked experts. I got active.
As I was coming up, it always seemed like I was learning. If it wasn't from school, it was the 'hood. The influences of the 'hood are very powerful.
I've been involved with 'Hamilton' for about two and a half years. I've learned so much. I came into it a young man. Now I've dropped the 'young.'
I grew up in a very nice house in Houston, went to private school all my life and I've never even been to the 'hood. Not that there's anything wrong with the 'hood.
If you outlaw half a million people you make martyrs of them. For example, if you outlaw Robin Hood, it is all very well, but if you outlaw a whole group of people around Robin Hood, then Robin Hood and his merry men become legends.
Some people have read a few Marxist books and think themselves quite learned but what they have read has not penetrated, has not struck root in their minds, so that they do not know how to use it and their class feelings remain as of old. Others are very conceited and having learned some book-phrases, think them terrific and are very cocky; but whenever a storm blows up, they take a stand very different from that of the workers and the majority of the peasants. They waver while the latter stand firm, they equivocate while the latter are forthright.
Children who die young are some of our greatest teachers. We are allowed to die when we have taught what we came to teach and when we have learned what we came to learn.
I was young, maybe 4, when I learned where babies came from.
I've always liked TV shows that have slightly unlikable leads, where you root for them in spite of a lot of things. I know it's not common with shows with young people; they have to be so likable. But, I mean, teenagers just generally aren't very likable. I know I wasn't as a teenager.
I have a responsibility to pass on to the next generation what I learned from my teachers, ... It keeps me young and reminds me where I came from. Teaching young artists is like giving water to a flower.
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