A Quote by Carlos Moya
I was worried a bit at the beginning because I didn't know how the situation was. Once the ATP wanted to do the tournament, I realised there was no risk at all. I'm very sorry about what happened. It's not easy to be here knowing so many people were killed very near from here.
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Do you think the people who were trying to reach to the Everest were not full of doubts? For a hundred years, how many people tried and how many people lost their lives? Do you know how many people never came back? But, still, people come from all over the world, risking, knowing they may never return. For them it is worth it - because in the very risk something is born inside of them: the center. It is born only in the risk. That's the beauty of risk, the gift of risk.
The problem Philip Morris had with electronic cigarettes since the beginning of development was the satisfaction of the smoker. Because the taste is dramatically different and, at the initial stages, the nicotine pharmacokinetics were very slow. You could not get the satisfaction. It's not so easy to crack this code. The taste satisfaction is very important. The closest you are to this, the more chances you have to switch people. It's very nice to have a zero-risk product, but if nobody uses it, you don't have any reduction in public health risk.
Everyone's frightened. It's how you deal with that fear. It's very, very powerful. And what you've got to do is get it as a tailwind instead of a headwind. And that's a little bit of a judo trick in your mind. And once you learn that, fear starts to excite you. Because you know that you are going to enter into something and try it and risk.
How can you claim infallibility and claim that in these 114 [drone] strikes there was just one mistake -- one person killed that was a civilian -- and at the same time say, 'Well, we don't really know how many people were killed or who they were, but we know they weren't civilians'? I don't know how you can do that.
My mom was a little weepy. My dad was very logical about it. Once they realized you can't change, they wanted to know that you can be happy and be gay. Once they realized that, they were very cool about it.
We should not judge Islam by terrorists. All civilizations and cultures produce terrorists. Every time there is a flag-burning, killing, or provocative films, I'm worried, not because something radical will happen, and this time, some people are killed. We're very sorry for that.
So many times, I notice nobody will say a bad word about a team or situation because they're worried about their next job. I'm not worried about that.
The biggest compliments I've gotten have been from people who've seen the film Compliance at festivals and have said, "You know, I fully connected with these people. The movie made me very uncomfortable because I totally can see how this or that situation happened." They're, for lack of a better term, picking up what I was putting down. For me, it's very empowering to feel like we made something interesting.
Look, it's no longer about capacity, how many ships, how many air wings, how many battalions. It's about capability. If we dominate cyber space and know and can read the other guy's mail, and with a very accurate laser-guided munitions put it in this window or that window, it's not how much, it's knowing exactly where to pinpoint a target.
It was titled 'Confirmation' very purposefully. I wanted the film to be about that process - about how Judge Thomas and Anita Hill were thrown into a situation that was difficult for anyone to navigate, no matter what the truth was. It's hard to know what the truth is.
Ethics and power are separate. Ethics and morality. I think life would be miserable if there weren't some kind of code that people operated by, but history is full of many, many people who have gotten power by very unethical means, and people who were very ethical, who get no power, people who have the most brilliant, lovely, wonderful, nice intentions and bring about horrible things in the world because they don't know how to play the power game.
It wasn't easy once I started running 20th Century Fox. There were a lot of eyebrows raised, and it wasn't easy, that transition, because, you know, I had big shoes to fill and I was very young, 27.
I was looking for a name with an old English sound, very easy to pronounce in every language and easy to remember. At the beginning I used J. P. Tod's, but then in 1999 it was shortened since too many people were asking who was Mr. J. P. Tod's.
Some guys are just very, very interested in their sport and their predecessors. I know I was a guy like that when I was a young coach. I wanted to know about George Halas, I wanted to know about Jim Lee Howell, guys you don't even know. I wanted to know what they were like. So I read whatever I could get my hands on.
I think people think how I got work came easy. People assume that I was an overnight sensation, because they're just now hearing about me, or that everything happened very quickly.
I wanted to say sorry, I wanted to tell her I could not forget the roundup, the camp, Michel's death, and the direct train to Auschwitz that had taken her parents away forever. Sorry for what? he had retaliated, why should I, an American, feel sorry, hadn't my fellow countrymen freed France in June 1944? I had nothing to be sorry for, he laughed. I had looked at him straight in the eyes. Sorry for not knowing. Sorry for being forty-five years old and not knowing.
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