A Quote by Carlos Ruiz
The day I got to Los Angeles after I got traded, Chase Utley was the first guy I saw. He welcomed me. He gave me a big hug. He was, like, 'You. You are my brother.'
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After the first time I got traded - I was in the bullpen warming up for a game in Double A, and I got called back in and got traded - that was probably the, like, most crazy it could be. And once I got traded, the next time it got a little easier, and I got traded the next time - it's just part of it.
I went to Catholic school, and there was this teacher, a Brother, who saw I could go either way, good or bad. He took an interest in me and got me to do a play. I got hooked on acting, and it gave me something constructive to do. I had a lot of energy.
I went to the surplus store on Santa Monica and Vine (in Los Angeles) and went and got me a Navy outfit, put the black tape under my eyes. I got me a whistle and went in there with a hat looking like a full-on drill sergeant.
In June 1972, I went with friends to see the Rolling Stones at the Los Angeles Forum. After the concert, as we crossed through the parking lot, a guy in a brown Mercedes stopped in the middle of the street and got out. He came up to me and asked if I had ever modeled.
I got to play with some of the best players in the game, from Victor Martinez and Travis Hafner and Grady Sizemore in Cleveland, to here with Ryan Howard, Chase Utley, Cole Hamels. Obviously, to Seattle with Ichiro and Felix Hernandez, and then to Texas with Josh Hamilton, Ian Kinsler, Mike Young. It was a great experience. Without being traded I never could have gotten to do any of that.?
I call Los Angeles the city of alternatives. If you don't like mountains, we got the ocean. If you don't like Knott's Berry Farm, we've got Disneyland. If you don't like basketball, we've got the Clippers.
We've got the prettiest girls in the world here in Los Angeles and there's a great music scene. And I learned what I learned about cinema here in Los Angeles so it's always been really important to me as a city to live in and I love making movies about it.
I did a lot of musicals when I was younger. And then I went to Northwestern University, and I did more musicals. I went on to do more work in Chicago, and then while I was in college, I got flown out to Los Angeles to do a screen test for 'Back to the Future.' When I got to Los Angeles, I was like, 'Hmmm, this is different.'
I don't live in Los Angeles. I work in Los Angeles, and even that - I audition in Los Angeles; I very rarely film in Los Angeles. I don't hang out with producers on my off-hours, so I don't even know what that world is like.
Color has got me. I no longer need to chase after it. It has got me for ever. I know it. That is the meaning of this happy hour.
First, let me just say that I flew in from Los Angeles last evening. And the plane was absolutely filled with women who were coming from the Greater Los Angeles area to be here. And it wasn't that they were necessarily organized in some particular group. Individual women that I talked to - I said, well, who are you with? They said I'm not with anybody. I just decided I couldn't stay home. I just got up, and I came [to the Women's March].
'The West Wing' was really important for me for a lot of reasons. It was the first thing I did when I got out to Los Angeles. I'd just finished school, and I was so naive.
Obviously, you've got to make the chase first, so first things first - get in the chase. But I've been saying it all along since last year, I want to skip the first 26 races and I want to go right to the last 10 again. That's where they pay the money. That's the championship is the last 10, so kind of whatever we do in the first 26 has a big impact because you've got to make the chase and the higher up you are the better, but the real focus is those last 10.
When I saw that scene [in ocean from the Aquarius] for the first time, it blew me away. It caused me to reflect on my age, my history and all that I've been through in Brazil. Having been away from Brazil for so long, while not speaking in my own tongue, when I saw that image, I felt like I was taking my first deep breath after nearly suffocating to death. It was like the plastic had been removed from my head. Even if this breath turned out to be my last, at least I got to have this one moment of release. At least I got this one chance.
'Battle: Los Angeles' - I've got to say this was easily one of the most physically trying things that I've ever done in my life because I play a Marine in the film, and they had us training with real live Marines for, like, three weeks. It gave me a whole new respect for just the armed forces, period.
When I left French 'Vogue,' New York welcomed me with a big, big hug.
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