A Quote by Carlos Ruiz Zafon
It is impossible to survive in a prolonged state of reality.
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It is impossible to survive in a prolonged state of reality, at least for human beings. We spend a good part of our lives dreaming, especially when we're awake.
All interpretation or observation of reality is necessarily fiction. In this case, the problem is that man is a moral animal abandoned in an amoral universe and condemned to a finite existence with no other purpose than to perpetuate the natural cycle of the species. It is impossible to survive in a prolonged state of reality, at least for a human being. We spend a good part of our lives dreaming, especially when we're awake.
If you look at the way society is structured , it is structured to keep people overwhelmingly in a state of fear and always trying to survive, in terms of physically, in terms of terror, in terms of financially, the credit crunch, rising food prices; all this is survive, survive, survive.
Christianity has sufficient inner strength to survive and flourish on its own. It does not need state subsidies, nor state privileges, nor state prestige. The more it obtains state support the greater it curtails human freedom.
We have been impossible right from the beginning and we must continue to be impossible because we are raising a voice against suffering which has been considered to be the nature of life. It is our joy to be considered impossible - and it is our greater joy to make the impossible a living reality.
Thinking always ahead, thinking always of trying to do more, brings a state of mind in which nothing is impossible. The moment one gets into the 'expert' state of mind a great number of things become impossible.
Peace for any prolonged period of time is impossible. Humans have a natural thirst for chaos and war is the most readily available form of chaos.
The rise of man from the animal to the human level was prolonged by the necessity of rising from a state of barbarism and violence to one of order and peace.
Trying to maintain a pleasant state and avoid an unpleasant state is actually the cause of sorrow. When you stop resisting, you see that what seems frightening is actually the absolute beauty of reality. When you see that everything is a momentary display of reality, then you stop resisting it. Resistance hurts, only every single time. Love is the state of nonresistance.
As a Palestinian today I speak of a Palestinian and Arab demand for a state on 1967 borders. It is true that in reality there will be an entity or a state called Israel on the rest of Palestinian land. This is reality but I don’t deal with it from the point of view of recognizing or admitting it.
Plot involves fragmentary reality, and it might involve composite reality. Fragmentary reality is the view of the individual. Composite reality is the community or state view. Fragmentary reality is always set against composite reality. Virginia Woolf did this by creating fragmentary monologues and for a while this was all the rage in literature. She was a genius. In the hands of the merely talented it came off like gibberish.
To survive you must surrender without giving in, that is to say, fully accept the reality in all its horror and never give up the will to survive. That allows you to quickly adapt to the situation and dedicate yourself to the present moment rather than wallow in denial.
Whereas a prolonged life is not necessarily better, a prolonged death is necessarily worse.
The Soviet system of propaganda and censorship existed not so much for the purpose of spreading a particular message as for the purpose of making learning impossible, replacing facts with mush, and handing the faceless state a monopoly on defining an ever-shifting reality.
Predictions that unit cohesion could not survive honesty about sexual orientation were simply wrong. What does threaten morale arethe prolonged investigations, the questioning of friends and co-workers, the searches of barracks for magazines and letters, the witch hunts.
The art of the novel, however, has fallen into such a state of stagnation - a lassitude acknowledged and discussed by the whole of critical opinion - that it is hard to imagine such an art can survive for long without some radical change. To many, the solution seems simple enough: such a change being impossible, the art of the novel is dying.
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