A Quote by Carlos Ruiz Zafon

Human nature provides the lyrics, and we novelists just compose the music. — © Carlos Ruiz Zafon
Human nature provides the lyrics, and we novelists just compose the music.
I like to compose, but only for myself. I write my own lyrics and compose the music around them.
First we start with the lyrics. Most of the lyrics are done by Stefan Kaufmann and me. When we have enough lyrics and enough stories we have the lines to make titles. Then we collect all the ideas of everybody in the band and see which ideas fit together the best with the lyrics to get the right atmosphere. That's the way we compose.
We worked very hard to make the lyrics suit the music. I can't, like Elton John, for example, compose by lyrics. Elton has a great talent for that. Whatever you give him, including your questions, he composes in half an hour and makes a great song out of it.
Usually I go to the studio to write lyrics and compose music. I try to be a dad as much as possible at home.
What you compose with is neither here nor there, you compose with words, or you compose with stone plants and trees, or you compose with events; the Sheriff's officer, or whatever.
Human nature, as manifested in tribalism and nationalism, provides the momentum of the machinery of human evolution.
The city of Chandigarh is planned to human scale. It puts us in touch with the infinite cosmos and nature. It provides us with places and buildings for all human activities by which the citizens can live a full and harmonious life. Here the radiance of nature and heart are within our reach.
I compose the music according to the nature of the show. 'Peter Gunn's' focus was violence so that was my key.
To be able to wake up and know I get to do music every single day - arrange music, compose music, write music and to be with my four best friends in the world, and just to go and do performances and to tour, it's honestly a dream come true.
I have to decide whether I'm just laying down a groove, kind of a bed and canvas for the lyrics and music to live on, or trying to illustrate something in the lyrics.
I think, questions about what it means to respect nature become very important because just as in human society, for example, part of what it is for me to live a good life as a human being in a human society is to have respect for others around me. Now, that respect, to some extent, can be thought of as being grounded in the rights and interest of others but it also has to do with the stance that I take in the world and what it is that provides meaning and significance in my own life and I think there are similar ideas of respect for nature that apply as well.
Novelists get to say plenty in their massive tomes; rock singers only get four-minute songs with two verses and a chorus' worth of lyrics, and so there's a real pleasure in accessing the intelligence behind the music, even if it doesn't qualify as 'great literature.'
At first, I was using my sister Susan's lyrics, as I could not write myself, only the music. And then one day, she and I had a fight, and she threatened to take away the lyrics from all the songs that I put the lyrics to, so it was that day that I began writing my first lyric to the music.
Like most novelists, I like to do exactly the opposite of what I'm told. It's in my nature as a novelist. Novelists can't trust anything they haven't seen with their own eyes or touched with their own hands.
A right balance between music and lyrics is important. Music complements lyrics.
I usually start with a guitar riff or some little pattern of chords, and then I kind of go from there. Usually my lyrics are the last thing to go onto a song. For years and years I only ever did instrumental, so I'm still trying to get confidant with my lyrics and find the right balance. I'll generally get inspired from the music. I'll have a guitar line, and then I'll have a melody line, and I hook the lyrics up to fit that rhythm. So, my lyrics to tend be very rhythmic as well. They work with the music rather than the music works around them.
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