A Quote by Carlos Ruiz Zafon
I had never known the pleasure of reading, of exploring the recesses of the soul, of letting myself be carried away by imagination, beauty, and the mystery of fiction and language. For me all those things were born with that novel.
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The thing that most attracts me to historical fiction is taking the factual record as far as it is known, using that as scaffolding, and then letting imagination build the structure that fills in those things we can never find out for sure.
Reading the several thousand pages of Christopher Isherwood's complete journals is an instructive corrective to the prissiness of reading fiction. Isherwood had faults that we'd say were unforgiveable in a novel (he was careful to distance himself from these in his autobiographical fiction).
When I was doing those things with the Berlin circus, playing the accordion, going to North Korea - I felt all those things were just me experimenting and letting myself go. Everything before seems like a constant searching. Now that I think about it, I feel so lucky that happened; that I didn't find my voice straight away, that I didn't find my passion straight away, that it took so long.
Fiction is lies; we're writing about people who never existed and events that never happened when we write fiction, whether its science fiction or fantasy or western mystery stories or so-called literary stories. All those things are essentially untrue. But it has to have a truth at the core of it.
I'm snobby about books that aren't crime fiction: if I start reading a literary novel and there's no mystery emerging in the first few pages, I'm like, 'Gah, this obviously isn't a proper book. Why would I want to carry on reading it?'
I love print fiction, but sometimes when I'm reading a good graphic novel or manga, I find myself envying those who work in an illustrated format.
That is the joy of reading fiction: when all is said and done, the novel belongs to the reader and his or her imagination.
I realised those things my ego needed - fame and success - were going to make me terribly unhappy. So I wrenched myself away from that. I had to. I had to walk away from America and say goodbye to the biggest part of my career because I knew, otherwise, my demons would get the better of me.
Before I was reading science fiction, I read Hemingway. Farewell to Arms was my first adult novel that said not everything ends well. It was one of those times where reading has meant a great deal to me, in terms of my development - an insight came from that book.
The poetic beauty of Davy's mind never seems to have left him. To that circumstance I would ascribe the distinguishing feature in his character, and in his discoveries,-a vivid imagination sketching out new tracts in regions unexplored, for the judgement to select those leading to the recesses of abstract truth.
I have devoted myself to architecture as a sublime act of poetic imagination. Consequently, I am only a symbol for all those who have been touched by beauty. The words Beauty, Inspiration, Magic, Spellbound, Enchantment, as well as the concepts of Serenity, Silence, Intimacy and Amazement, all these have nestled in my soul. Though I am fully aware that I have not done them complete justice in my work, they have never ceased to be my guiding lights.
Reading Tomato Red-the first Daniel Woodrell novel I came upon-was a transformative experience. It expanded my sense of the possibilities not only of crime fiction, but of fiction itself-of language, of storytelling. Time and again, his work just dazzles and humbles me. God bless Busted Flush for these glorious reissues. It's a service to readers everywhere, and a great gift.
The thing is, for me, as a fiction writer, I don't think there's a finer testament to our lives than this thing that's being spurned - the emotional intelligence, the ethics, the beauty. It's all there. It's all so fully contained in a novel that succeeds. But at the same time, I understand the impulse to put away childish things.
To one degree or another, everybody is connected to the Mystery, and everybody secretly yearns to expand the connection. That requires expanding the soul. These things can enlarge the soul: laughter, danger, imagination, meditation, wild nature, passion, compassion, psychedelics, beauty, iconoclasm, and driving around in the rain with the top down. These things can diminish it: fear, bitterness, blandness, trendiness, egotism, violence, corruption, ignorance, grasping, shining, and eating ketchup on cottage cheese.
To write a novel may be pure pleasure. To live a novel presents certain difficulties. As for reading a novel, I do my best to get out of it.
We tend to think of crime fiction as reading designed for entertainment - not education. It delivers an almost pure kind of readerly pleasure: the mystery solved, justice delivered, roughly or otherwise.
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