A Quote by Carlos Ruiz Zafon

I would go to newsstands and buy paperbacks they were selling for tourists, usually bestsellers and mass market paperbacks. In the beginning, it was like going to the Rosetta Stone--I didn?t understand anything, I'd get a headache--but I began to figure it out, and I'd read a lot of Stephen King paperbacks. I've always said he was my English professor.
Paperbacks weren't considered real books in the book trade. Up till then it was just murder mysteries, potboilers, 25-cent pocket books sold in newsstands. When the New York publishers started publishing quality paperbacks, there was no place to buy them.
I was just lucky I lived in this time of mass-market paperbacks.
You could have sex relatively comfortably on a platform of books, but not on a platform of PDA.s. Hardcover books. Paperbacks might start sliding around. Though I.d still prefer paperbacks to a pile of PDA.s.
Many people, I've noticed by informally polling friends, are prone to distinguishing a beach read by genre. Some people thought all thrillers are beach reads; others thought all romances are. Some people thought only mass market paperbacks are eligible for beach read standards.
My favorite books to give or get are short story collections. And always paperbacks because they are easy to carry as you travel.
Mostly it was Mad magazine. And I did read a lot of - I had a subscription when I was little, but I also had access to some old collections, the little paperbacks of the really good stuff.
I think of my pile of old paperbacks, their pages gone wobbly, like they'd once belonged to the sea.
She wanted to be buried in a coffin filled with used paperbacks.
It wasn't until I was 23 and got married to a guy who was really bookish that I got completely hooked on reading and writing again. He had so many paperbacks, I didn't have to buy a book for four and a half years.
Paperbacks of those we deem classics should be cheap and sold at supermarkets.
Of the paperbacks that you see at the airport, I am the most violent woman writer.
I can understand the allure of a venerable Big Six imprint, of a shot at the New York Times list, of a publisher-sponsored book tour, of seeing your hardbacks in bookstores and your paperbacks in supermarkets.
Pulp paperbacks have always provided a training ground for men, Some of them went on to become respected authors - Dean Koontz, Nelson DeMille and Martin Cruz Smith, for example. Why couldn't a woman?
'American Horror' goes for a very specific kind of Seventies suburban downer ambience - 'Flowers in the Attic' paperbacks, Black Sabbath album covers and late-night flicks like 'Let's Scare Jessica to Death.' It even has 'Go Ask Alice'-era urban legends.
I guess if one set of my books was selling like Stephen King's, and the other wasn't selling at all, editors would want me to do the ones that sold like Stephen King's. But they seem to be willing to let me pick what I want to do next.
There's no excuse therefore, for a 1,152 page book. I think we should all be using 300-page paperbacks. These exist.
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