A Quote by Carlos Ruiz Zafon
Blaming TV as an abstract entity is nonsensical. It's our hand on the remote. There's a world out there outside the tube.
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A new survey reveals that women would rather give up sex than give up the remote control for the TV. Men, on the other hand, would be willing to have sex with the remote for the TV.
I always step on the plane with my right foot and touch the outside of the plane with my left hand. Sometimes you know there's someone standing there to welcome you to the plane and I have to kind of get them to move a little bit so I can put my hand on the outside of the plane. It's not a natural thing to be up in the sky in a little metal tube.
I grew up in a town with no movie theater. TV was my only link to the outside world. Film wasn't such a big deal to me. It was TV. So much so, that when I meet TV stars now... Not my co-workers, but real TV stars, I get nervous. I freak out around them.
If you hand an adult a lump of clay, they're likely to respond by fashioning something representative out of the raw material. For the most part, they'll simply forge an object that signifies something "real" in the world, even if that something is as abstract as an emotion or an energy. A child, on the other hand, will just as often produce something totally without semiotic meaning, a shape or a mass that represents nothing that exists outside of their imagination. Or else, they'll eat it or throw it or ignore it, wholesale.
Our relationship with places is a close bond, intricate in nature, and not abstract, not remote at all: It's enveloping, almost a continuum with all we are and think.
I grew up in a very small town, on a farm. There was not even a TV in my house at that time. I didn't have much connection with the outside world and couldn't see martial arts. When I was 10 or 12, that's when we got our first TV. We only had maybe two channels. At 16 years old, I remember watching Marco Ruas on TV.
Blaming our behavior on forces outside ourselves is a way of avoiding responsibility.
Perhaps I am a man of exceptional moods. I do not know how far my experience is common. At times I suffer from the strangest sense of detachment from myself and the world about me; I seem to watch it all from the outside, from somewhere inconceivably remote, out of time, out of space, out of the stress and tragedy of it all. This feeling was very strong upon me that night. Here was another side to my dream.
Evil is... a moral entity and not a created one, an eternal and not a perishable entity: it existed before the world; it constituted the monstrous, the execrable being who was also to fashion such a hideous world. It will hence exist after the creatures which people this world
In abstract mathematics or abstract art, the purpose is to describe inner states of our mind, and to explore the limits of our own imagination and our capacity for creativity. While this has some applications in the world, I think it leads to a distance from the world. Going to Congo was for me an act of seeking proximity, of breaking that distance. With abstraction, which is brilliant and vain, you divorce yourself from any kind of proximity to other people.
It is the thing that is most remote from the world in which we ourselves live that attracts us most. We are under the spell of what is distant from us. It is not our nature to desire passionately what is near at hand.
All paintings start out of a mood, out of a relationship with things or people, out of a complete visual impression. To call this expression abstract seems to me often to confuse the issue. Abstract means literally to draw from or separate. In this sense every artist is abstract . . . a realistic or non-objective approach makes no difference. The result is what counts.
I don't understand why people don't understand that the world of TV should look like the world outside of TV.
I watched Baeyer activating magnesium with iodine for a difficult Grignard reaction; it was done in a test tube, which he watched carefully as he moved it gently by hand over a flame for three quarters of an hour. The test tube was the apparatus to Baeyer.
The Western approach to reality is mostly through theory, and theory begins by denying reality - to talk about reality, to go around reality, to catch anything that attracts our sense-intellect and abstract it away from reality itself. Thus philosophy begins by saying that the outside world is not a basic fact, that its existence can be doubted and that every proposition in which the reality of the outside world is affirmed is not an evident proposition but one that needs to be divided, dissected and analyzed. It is to stand consciously aside and try to square a circle.
When I was four I thought everything in TV was just TV, then I was five and Ma unlied about lots of it being pictures of real and Outside being totally real. Now I’m in Outside but it turns out lots of it isn’t real at all.
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