A Quote by Carlos Ruiz Zafon
I was always fascinated by the fact that you could take paper and ink and create worlds, images, characters. It seemed like magic.
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The letter we all love to receive is one that carries so much of the writer’s personality that she seems to be sitting beside us, looking at us directly and talking just as she really would, could she have come on a magic carpet, instead of sending her proxy in ink-made characters on mere paper.
The condemned social order has not been built up on paper and ink, and I don't fancy that a combination of paper and ink will ever put an end to it.
To a theoretical physicist, there is no greater joy than to see that this curious activity we call calculation - the depositing of ink on paper, followed by throwing away the paper and depositing new ink on more paper - can actually tell us something about reality.
Americans like warm characters. It's why, no matter what he did in the early days, they kind of resonated to Bill Clinton because he seems like a guy that you could sit down and have a burger and a beer with. It's even why, despite the fact that he sometimes seemed to be not firing on all cylinders, lots of them still like George W. Bush - because he seemed like the kind of guy you could have a burger and a beer with.
I remember as a child going to an exhibit about the Soviet Union, and every paper had this alien smell. The paper and the ink were all exported. It was like a piece of cheese from that country, you could touch it, feel it, smell it, and it was different.
Government is the only institution that can take a valuable commodity like paper, and make it worthless by applying ink.
In the early morning hours, Hannah read at the table by the dim light of dawn. She leaned in close to the pages, chin resting on her folded arms, eyes racing over the words, like chasing butterflies over the hills, to catch as many as she could before going to work. She wondered at how such tales of magic could be contained by mere paper and ink for her to read again and again.
Fantasy stories will always be popular, as there are always readers who are willing to escape, freely, to the worlds that the authors create, and spend time with the characters we give life to.
I like writers who can show me worlds I know nothing about, but my favorites are those who create characters or worlds which feel realistic and familiar to me, or who can make me feel inspired.
I like to create characters and worlds, and there's nothing like telling your own stories.
It was our favorite part of the day, this in-between time, and it always seemed to last longer than it should--a magic and lavender space unpinned from the hours around it, between worlds.
I always say I write my own novels and the characters don't take control of me, but in fact, I look at the characters in the early stages and I think, 'What is he or she like,' and they slowly come together and they become the person they are.
Who knew paper and ink could be so vicious
Because it's kind of great, being an idea that everybody likes. But I could never be the idea to myself, not all the way. And Agloe is a place where a paper creation became real. A dot on the map became a real place, more real than the people who created the dot could never have imagined. I thought maybe the paper cutout of a girl could start becoming real here also. And it seemed like a way to tell that paper girl who cared about popularity and clothes and everything else: 'You are going to the paper towns. And you are never coming back.
The painter who strives to represent reality must transcend his own perception. He must ignore or override the very mechanismsin his mInd that create objects out of images(symbols)... The artist, like the eye, must provide true images and the clues of distance to tell his magic lies.
My mother was always fascinated with the fact that I could rhyme so much stuff.
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