A Quote by Carlos Ruiz Zafon

Childhood devotions make unfaithful and fickle lovers. — © Carlos Ruiz Zafon
Childhood devotions make unfaithful and fickle lovers.
Wanderlust is not a passion for travel exactly, it’s something more animal and more fickle- more like lust. We don’t lust after very many things in life. We don’t need words like ‘worklust’ or ‘homemakinglust.’ But travel? The essayist Anatole Broyard put it perfectly: ‘Travel is like adultery: one is always tempted to be unfaithful to one’s own country. To have imagination is inevitably to be dissatisfied with where you live… in our wanderlust, we are lovers looking for consummation.’
Travel is like adultery: one is always tempted to be unfaithful to one's own country. To have imagination is inevitably to be dissatisfied with where you livein our wanderlust, we are lovers looking for consummation.
Perhaps I'm just fickle by nature and get tired of countries the way other women do of husbands or lovers.
Travel is like adultery: one is always tempted to be unfaithful to one's own country. To have imagination is inevitably to be dissatisfied with where you live. There is in men, as Peter Quennell said, "a centrifugal tendency." In our wanderlust, we are lovers looking for consummation.
I must secure more time for private devotions. I have been living far too public for me. The shortening of devotions starves the soul, it grows lean and faint. I have been keeping too late hours.
In relation to a writer, most readers believe in the Double Standard: they may be unfaithful to him as often as they like, but he must never, never be unfaithful to them.
They'd never been lovers, of course, not in the physical sense. But they'd been lovers as most of us manage, loving through expressions and gestures and the palm set softly upon the bruise at the necessary moment. Lovers by inclination rather than by lust. Lovers, that is, by love.
There are three classes of men; lovers of wisdom, lovers of honor, and lovers of gain.
I've never been unfaithful outside 'Made In Chelsea.' I don't care what the reputation looks like. I was unfaithful on that television show because it's a show about that. I'm not saying it was acceptable behavior, but the show wouldn't work without relationships failing. In real life it's completely different.
Well, you're either lovers or you're wanting to be lovers or you're trying not to be lovers so you can be friends, but any way you look at it, sex is always looming in the picture like a shadow, like an undertow.
There's a double standard between writers and readers. Readers can be unfaithful to writers anytime they like, but writers must never ever be unfaithful to the readers.
Actors who are lovers in real life are often incapable if playing the part of lovers to an audience. It is equally true that sympathy between actors who are not lovers may create a temporary emotion that is perfectly sincere.
Lovers O lovers, lovers it is time to set out from the world. I hear a drum in my soul's ear coming from the depths of the stars. Our camel driver is at work; the caravan is being readied. He asks that we forgive him for the disturbance he has caused us, He asks why we travellers are asleep. Everywhere the murmur of departure; the stars, like candles thrust at us from behind blue veils, and as if to make the invisible plain, a wondrous people have come forth.
Since childhood, I've been a fan of mysteries - 'Nancy Drew' lovers unite! - but 'Vertigo' struck me as an entirely new take on the genre.
("I love you," someone says, and instantly we begin to wonder - "Well, how much?" - and when the answer comes - "With my whole heart" - we then wonder about the wholeness of a fickle heart.) Our lovers, our husbands, our wives, our fathers, our gods - they are all beyond us.
When I look back on my childhood I wonder how I survived at all. It was, of course, a miserable childhood: the happy childhood is hardly worth your while. Worse than the ordinary miserable childhood is the miserable Irish childhood, and worse yet is the miserable Irish Catholic childhood.
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