A Quote by Carlos Ruiz Zafon
Mention the gothic, and many readers will probably picture gloomy castles and an assortment of sinister Victoriana. However, the truth is that the gothic genre has continued to flourish and evolve since the days of Bram Stoker, producing some of its most interesting and accomplished examples in the 20th century - in literature, film and beyond.
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Nico was gothic, but she was Mary Shelley gothic to everyone else's Hammer horror film gothic. They both did Frankenstein, but Nico's was real.
With 'The Keep,' I began with a theory about pitting the isolated disconnection of the gothic realm against present-day hyperconnectedness. I emerged feeling that the gothic genre is all about hyperconnectedness - the possibility of disembodied communication - and that we now live in a kind of permanently gothic state.
I don't really begin with ideas about genre. I certainly wrote a gothic novel, 'The Keep,' that conformed to and, in some ways, played with every convention I knew of to work with in the gothic, but the way I came to it was very instinctive and visceral.
I love all that kind of gothic Bram Stoker kind of thing. I love to get lost in that kind of escapism.
The mighty edifice of Government science dominated the scene in the middle of the 20th century as a Gothic cathedral dominated a 13th century landscape. The work of many hands over many years, it universally inspired admiration, wonder and fear.
Kim Newman brings Dracula back home in the granddaddy of all vampire adventures. Anno Dracula couldn't be more fun if Bram Stoker had scripted it for Hammer. It's a beautifully constructed Gothic epic that knocks almost every other vampire novel out for the count.
I hate the word gothic but I would like to try doing something like that. A gothic sound, not rock, but gothic. There's a difference.
The 1890s was perhaps the most Gothic decade ever: 'Dracula,' 'The Picture of Dorian Gray' and 'The Time Machine,' not to mention 'Heart of Darkness' and 'The Interpretation of Dreams,' were all written between 1890 and 1899.
The gothic reminds us that we are mainly driven by our passions; the Gothic deals in illicit desires, in what is prohibited by society.
Science fiction is the search for a definition of mankind and his status in the universe which will stand in our advanced but confused state of knowledge (science), and is characteristically cast in the Gothic or post Gothic mode.
Depending on who I am talking about or who's talking through me - if the person is a kind of hip-hop, or rhythm and blues person, or if the person is a kind of old-fashion gothic, meaning gothic attitude, then that will determine what form the poem will take.
Edinburgh is a sort of gothic fairytale city, and it can be a gothic horror city as well.
The 20th century is a period defined by cultural and artistic movements. However, the 21st century creative-scape that we occupy now doesn't really have movements in the same way. Instead it's made up of diverse individuals working across various platforms simultaneously; art, architecture, film, music and literature.
For a 12-year-old with a hyperactive imagination who liked to dream of dreary gothic castles, suburban Florida felt a little stifling.
I loved fairy tales when I was a kid. Grimm. The grimmer the better. I loved gruesome gothic tales and, in that respect, I liked Bible stories, because to me they were very gothic.
The gothic is singular in this; one seems easily at home in the renaissance; one is not too strange in the Byzantine; as for the Roman, it is ourselves; and we could walk blindfolded through every chink and cranny of the Greek mind; all these styles seem modern when we come close to them; but the gothic gets away.
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