A Quote by Carlos Ruiz Zafon

I'm a voracious reader, and I like to explore all sorts of writing without prejudice and without paying any attention to labels, conventions or silly critical fads. — © Carlos Ruiz Zafon
I'm a voracious reader, and I like to explore all sorts of writing without prejudice and without paying any attention to labels, conventions or silly critical fads.
I was making my work as transparent as possible, without equivocations, without calling attention to itself, without apology. There's a lot of conventions in the art world that are not to be transgressed, but my economy of means doesn't abide by those strictures. There's no reason to abide by them. I don't have any vested interest in it.
Everybody uses labels: they give you a handle on things - an over-simplified handle, sure, but without labels, without ads, without words, the world would be an indistinguishable mass, a blur. You can hope, maybe, that people ascribe so many labels to you that none wins out
Actually, zero labels were jumping toward me, and I couldn't get to anybody. Nobody was paying any attention. And I was like, 'OK, I'm going to put my nose to the ground and really work on writing and creating some good songs that people could gravitate to.'
There are a lot of myths about fat loss, and I wanted to explain how to do it properly, without obsessing over silly fads.
But an experienced reader is also a self-aware and critical reader. I can't remember ever reading a story without judging it.
The reader, the booklover, must meet his own needs without paying too much attention to what his neighbors say those needs should be.
The absurd man will not commit suicide; he wants to live, without relinquishing any of his certainty, without a future, without hope, without illusions … and without resignation either. He stares at death with passionate attention and this fascination liberates him. He experiences the “divine irresponsibility” of the condemned man.
Show me a person without prejudice of any kind on any subject and I'll show you someone who may be admirably virtuous but is surely no gardener. Prejudice against people is reprehensible, but a healthy set of prejudices is a gardener's best friend. Gardening is complicated, and prejudice simplifies it enormously.
Among well bred people a mutual deference is affected, contempt for others is disguised; authority concealed; attention given to each in his turn; and an easy stream of conversation maintained without vehemence, without interruption, without eagerness for victory, and without any airs of superiority.
Writing prejudicial, off-putting reviews is a precise exercise in applied black magic. The reviewer can draw free-floating disagreeable associations to a book by implying that the book is completely unimportant without saying exactly why, and carefully avoiding any clear images that could capture the reader's full attention.
We have sent our troops to war without paying for it. Now, we are bringing them home without saying how we are paying for it.
But the sensibility of the writer, whether fiction or poetry, comes from paying attention. I tell my students that writing doesn't begin when you sit down to write. It's a way of being in the world, and the essence of it is paying attention.
Muscles without strength, friendship without trust, opinion without risk, change without aesthetics, age without values, food without nourishment, power without fairness, facts without rigor, degrees without erudition, militarism without fortitude, progress without civilization, complication without depth, fluency without content; these are the sins to remember.
Nonviolent Communication shows us a way of being very honest, but without any criticism, without any insults, without any put-downs, without any intellectual diagnosis implying wrongness.
One of my great frustrations for 35 years at the paper was the fact I couldn't play a record for the reader when I was writing about an artist. How can you describe the beauty of Emmylou Harris' voice without hearing it, the sensual lilt of a Duane Allman guitar solo without actually hearing it, or the growl of Johnny Rotten without hearing it?
I think in any writing you're paying attention to detail.
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