A Quote by Carlos Tevez

I do not speak very often to the press. I just have it in my head. I do my talking out there on the field, which is the most important thing. — © Carlos Tevez
I do not speak very often to the press. I just have it in my head. I do my talking out there on the field, which is the most important thing.
I think that speaking is the most important thing we can do, but let's talk about what it means to speak effectively. We can talk in an echo chamber to our friends on social media and otherwise - and that's important, that's how we encourage and educate one another.But speech that leads to action is critical. And it doesn't sound very sexy, but one of the most important ways to speak in a way that makes an impact is to vote. Speaking at the ballot box is the most important place that we speak.
Before I found my peace, I was way too much in my head. I found myself on the field in my own thoughts. I've learned that there's a time and a place for my thoughts. The most important thing when I'm on the field is to just be in the moment and let it all go.
I didn't even think about it when I read the script and then shooting their movie and someone was like "boy, press is going to be fun". And I didn't really know what they were talking about because to me it's just a film shows it as an extremely viable option which is obviously the most important thing for young individuals.
In football, physical condition is very important, but the head is the most important thing. If you don't have the head, if the mentality is not good, then you are in trouble.
I know that some of the folks in the press are uptight about this [moving the press corps out of the West Wing ], and I understand. What we're - the only thing that's been discussed is whether or not the initial press conferences are going to be in that small press - and for the people listening to this that don't know this, that the press room that people see on TV is very, very tiny. Forty-nine people fit in that press room.
I say 'here's the thing' a lot, both to alert people that I'm about to say something important and to give myself a moment to figure out what that important thing might be, because my head is so often completely empty.
When I was about 17, I didn't speak. English was like a foreign language. I'd just grunt. The only time I talked was when I said my lines on set. I didn't speak to any of the actors or anything. Then one day Alison from the Corrie press office started talking to me in the green room and I just decided to talk back. She ran upstairs to tell everyone that she'd just had a 10-minute conversation with me like it was the most unbelievable thing in the world. I just woke up one day and thought, 'I'm going to talk today'. I've really made up for lost time since.
When I started out, the most terrifying thing was when I had to be very, very emotional in front of lots of people. Now I've kind of learned that it is very important to keep talking all day, keep making jokes, and be connected with people, and be present. It's very important for me to be absolutely present in order to be emotional. I learned that is sort of the way I need to be.
I think younger artists are often "students" of the rock press. They have their favorite rock star interviews and know how they're supposed to act. But I find that time helps a lot. If you have enough time you can sort of break that down just by being a normal person. And then they realize the interview isn't just a performance, and they can actually speak to you. I often try to get people into a space where they're not over-thinking what they're talking about and instead they're speaking emotionally, from within their experience.
The tag that I was too small and too slow just made me work that much harder. Besides, quickness is more important than flat-out speed. How often does a receiver run 40 yards straight down the field? Not very often. Lateral speed is what counts. How quickly can you get in and out of a cut? I can do that as well as anyone.
I knew that the most important thing a man has is in his head, and from a young age, I often studied the head structure of each person, hoping to crack his codes. I considered a high forehead a gift from God.
Many might feel that I am very traditional in my approach, but I feel that the most important thing is to have the blessings of your parents. That's very important. Plus, be ready for consistent hard work, despite the inevitable ups and downs in this field.
People say to me, 'You don't seem that interested in interviews.' Well, you know, I'm not, often. I'm not going to talk tactics with the press, so you are left with talking about how you are feeling; for me, it is not the most interesting thing to be doing.
Here's what I think about music and journalism: The most important thing is to just press play.
The main one is that these apparel jobs are a very important means for young women in these countries to gain autonomy. The other big lesson is that it can't be just about activism. This is most clear to me in the case of China, where we do not have freedom of the press. If the press is free and can report on what's happening, then change happens.
There are lots of incredible people who are working in very flawed structures that are designed to keep us apart, so we're going to have to figure this out. The first stage is just talking about it openly: We are all working within structures where there is a disincentive to do what we most need to do, which is come together. I don't know what the answer is but I definitely think that that first stage is just being honest about it and trying to speak about it in a way that is not just accusatory.
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