A Quote by Carlton Cuse

It's a very artistic process to translate and adapt a book into a series. — © Carlton Cuse
It's a very artistic process to translate and adapt a book into a series.
The first series I wrote, 'L.A. Candy,' was always meant to be a three-book series, so when I started out it was all outlined that way and by the time I was done with the third book, I had become so involved and the process and the stories, I was a little bit sad to be done.
The creation is a very internal process, and publishing the book is a very external process. It is nice to see the book out in the world and people having the same reaction as when I created it. The point of all art is the emotional transference, and when that happens, the book has succeeded.
It was a really strange and unique sort of process for me to adapt my own book.
'Rescue Me' is the first book in a three-book series. Although, like all my series, the books are purposely written so that readers do not have to read them in order.
Rescue Me' is the first book in a three-book series. Although, like all my series, the books are purposely written so that readers do not have to read them in order.
My process to adapt to English football has been very good.
But the development of human society does not go straight forward; and the epic process will therefore be a recurring process, the series a recurring series - though not in exact repetition.
It's a very powerful, emotional thing to read a book, and to reduce it to a series of questions in a test strips something away from the book.
When I'm writing for a book, it's much more reflective process. I have certain things that may not translate well to the stage, but, when they're on the page, people can really get into them. My first two books were aiming to be funnier, but the third was more about deep exploration. Things about being a parent and growing older that I thought would be perfect for a book.
I was 16 and went straight into the reserves. I had to adapt to the language, adapt to a new country, adapt to a style of play, all with new team-mates. All those kind of things were in my head and it was very hard.
When you read the book, you paint the picture but when you adapt a book then the audience will, by and large, say the book was better and every filmmaker knows this.
I don't read in Chinese very well. Google Translate helps with that. It's cool that I can upload a photo and translate the text from it.
For me the Anita series is built like a mystery series, which means that as much as possible each book stands alone, so you have a mystery to solve from the beginning to the end of the book.
The process of writing a book is infinitely more important than the book that is completed as a result of the writing, let alone the success or failure that book may have after it is written . . . the book is merely a symbol of the writing. In writing the book, I am living. I am growing. I am tapping myself. I am changing. The process is the product.
What I like about teaching is the discipline of finding words to unpack the artistic process. And I admire the drive in students who want to write, the mystery of how artistic talent unfolds.
My advice to aspiring writers of fantasy trilogies or series is that each book needs two main plots. There's the 'big story', the over-arching grand plot of the entire series, and there is the complete-in-itself, one-book plot.
This site uses cookies to ensure you get the best experience. More info...
Got it!