A Quote by Carlton Cuse
We feel like "Lost" deserved a real resolution, not a "snow globe, waking up in bed, it's all been a dream, cut to black" kind of ending. We thought that would be kind of a betrayal to an audience that's been on this journey for six years. We thought that was not the right ending for our show.
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We feel like 'Lost' deserved a real resolution, not a 'snow globe, waking up in bed, it's all been a dream, cut to black' kind of ending. We thought that would be kind of a betrayal to an audience that's been on this journey for six years. We thought that was not the right ending for our show.
Mia and I had been together for more than two years, and yes, it was a high school romance, but it was still the kind of romance where I thought we were trying to find a way to make it forever, the kind that, had we met five years later and had she not been some cello prodigy and had I not been in a band on the rise - or had our lives not been ripped apart by all this -I was pretty sure it would've been.
Not everything has a happy ending, and not everything has an ending. Some things just kind of dribble away or cut off abruptly.
I thought it would fit a niche. I didn't anticipate, nor do I think anybody did, that it would become this global phenomenon, the way that it has. The critics have been so kind and favorable, it has really garnered such wonderful praise, and the numbers have been through the roof. It's actually been quite surreal. I'm still pinching myself because it's amazing. For me, we went to Atlanta and we spent our summer shooting this little zombie show, and it was ours. It was our sweet little zombie show [The Walking Dead], and the world has embraced us.
I want an ending that’s satisfying. I’m more of a classical writer than a modernist one in that I want the ending to be coherent and feel like an ending. I don’t like when it just seems to putter out. I mean, life is chaotic enough.
I want an ending that's satisfying. I'm more of a classical writer than a modernist one in that I want the ending to be coherent and feel like an ending. I don't like when it just seems to putter out. I mean, life is chaotic enough.
And that's the way of a real tale. Take any one that you're fond of. You may know, or guess, what kind of a tale it is, happy-ending or sad-ending, but the people in it don't know. And you don't want them to.
A big mistake a lot of filmmakers do is they like, "We cut our whole ending to a Rolling Stones song." You better find a new ending then, because unless you have $2 million for that song.
If I feel like crying, I'll just cry in a dream. Something I really try not to do in my waking hours. I like good melodrama because it's just an undumping of all these compulsions we feel that we work so hard to master during our waking hours. No wonder we crash to sleep in bed at night. We have to, otherwise we'd just spend our waking hours shredding the feelings from everybody else.
The ending has to fit. The ending has to matter, and make sense. I could care less about whether it's happy or sad or atomic. The ending is the place where you go, “Aha. Of course. That's right.”
When the ending finally comes to me, I often have to backtrack and make the beginning point towards that ending. Other times, I know exactly what the ending will be before I begin, like with the story "A Brief Encounter With the Enemy." It was all about the ending - that's what motivated me.
I couldn’t help but think about school and everything else ending. I liked standing just outside the couches and watching them—it was a kind of sad I didn’t mind, and so I just listened, letting all the happiness and the sadness of this ending swirl around in me, each sharpening the other. For the longest time, it felt kind of like my chest was cracking open, but not precisely in an unpleasant way.
Tell me a story, Pew. What kind of story, child? A story with a happy ending. There’s no such thing in all the world. As a happy ending? As an ending.
I've been fortunate with the kind of work I've done, in terms of quality. But a lot of work didn't get the kind of release and attention that it deserved. And, I feel little let down by our distribution system.
Inside the snow globe on my father's desk, there was a penguin wearing a red-and-white-striped scarf. When I was little my father would pull me into his lap and reach for the snow globe. He would turn it over, letting all the snow collect on the top, then quickly invert it. The two of us watched the snow fall gently around the penguin. The penguin was alone in there, I thought, and I worried for him. When I told my father this, he said, "Don't worry, Susie; he has a nice life. He's trapped in a perfect world.
It's been kind of a weird transition from ending 'The Bachelor' to starting 'Dancing with the Stars.'
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