A Quote by Carlton Cuse
That's one of the reasons why 'Lost' has to end: because we can't sit around and envision, 'What is the flashback for Jack in year nine?' It doesn't realistically exist.
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If there’s a thing, a scene, maybe, an image that you want to see real bad, that you need to see but it doesn’t exist in the world around you, at least not in the form that you envision, then you create it so that you can look at it and have it around, or show it to other people who wouldn’t have imagined it because they perceive reality in a more narrow, predictable way. And that’s it. That’s all an artist does.
I think 'Lost' didn't invent the flashback, obviously. It's been a cinematic tool. It's been around almost as long as cinema has.
Two years ago, I was a twenty-nine year old secretary. Now I am a thirty-one year old writer. I get paid very well to sit around in my pajamas and type on my ridiculously fancy iMac, unless I'd rather take a nap. Feel free to hate me -- I certainly would.
Every mother can easily imagine losing a child. Motherhood is always half loss anyway. The three-year-old is lost at five, the five-year-old at nine. We consort with ghosts, even as we sit and eat with, scold and kiss, their current corporeal forms. We speak to people who have vanished and, when they answer us, they do the same. Naturally, the information in these speeches is garbled in the translation.
Jack and I usually get together and sit around in the afternoons and start throwing ideas around.
What you envision in your mind, how you see yourself, and how you envision the world around you is of great importance because those things become your focus.
I would say realistically, and I don't want any headlines, but I would say realistically that next year would be the last year.
Who do you think, as you gaze at the entire scene in Washington, who is it that's acting like a bunch of children? It isn't Trump. Who is it throwing the tantrums because they didn't get their way? Who is it acting like hysterical spoiled brats because their side lost the game? Who is it that's insisting, because they lost the game, that the rules be changed? Who is it that's acting like any average eight- to nine-year-old kid who's told he can't have any more Twinkies or whatever kids - marijuana; I don't know.
Well, what I don't get is why do we exist? I don't mean how, but why.' I watched the fireflies of his thoughts orbit his head. He said, 'we exist because we exist. . .we could imagine all sorts of universes like this one, but this is the one that happened.
Concerning the gods, I have no means of knowing either that they exist or that they do not exist, nor what sort of form they may have; there are many reasons why knowledge on this subject is not possible, owing to the lack of evidence and the shortness of human life.
One of the reasons I stay in New York is because you're always around so many other types of arts, and it's easy to just get lost in it.
I used to sit on the other end of Pennsylvania Avenue and wonder why the Senate was always going into recess, until in my first year I realized how intense the pressure was.
Why do fairy tales exist, and why do movies exist? Why do novels exist? There has to be a reason for it; otherwise, none of these things would be there.
Why make disciples? Because heaven and hell exist, and the end of the world is coming.
My second film 'Johnny Gaddar' got delayed because of financial reasons. The film was taken over by another production house and in the process we lost a year.
Once you start deliberately offering thought, then you can never offer enough action to keep up with the thought. Once you access the Energy that creates worlds, a huge vortex comes into place, and there's just not enough action for you to keep up with that. And so, what you have to do is visualize every step of the way, envision you happy in the process. Envision things in place, envision people catching on. Just envision it working. Skip over the how and the where and the when and the who - and just stay focused upon the what and the why. Abraham
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