A Quote by Carlton Cuse
There is a natural progression to 'Lost,' and as the story goes forward, it's going to change. It's not a static story. The franchise of 'Lost' is not characters sitting on a beach.
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I think movie and television companies are in the business of making money, and if you have a franchise, eventually you'll want to exploit that franchise and revisit it. So I assume at some point someone will do another story in the 'Lost' world.
The story it told was unremarkable: a tale of love found and lost- the oldest story in the world. The only story.
He felt a little lost, after that experience. Lost as the girls on their knees. It was a never-ending story of young girls losing themselves, such that they were no longer humans with any souls or characters, but pretty girls with fat asses and nice tits.
When you're actually inside the experience of writing something, in some ways, you're just writing. Ultimately, you fall in love with the characters, and you get excited about the story, and you're sitting there in your sweatpants or pajamas, and you do get a little lost in it.
I have an idea for a story, and if the idea is going to work, then one of the characters steps forward, and I hear her voice telling the story. This is what has happened with all the books I've written in the first person.
When money is lost, a little is lost. When time is lost, much more is lost. When health is lost, practically everything is lost. And when creative spirit is lost, there is nothing left.
If it gets to a situation where it turns into a debate, look, the person that I'm debating is the person that is writing the story or presenting the broadcast. They're not going to write the story in such a way that shows they lost.
Why is it we love so fully what has washed up on the beaches
of our hearts, those lost messages, lost friends, the daylight stars
we never get to see? Bad luck never takes a vacation, my friend
once wrote. It lies there among the broken shells and stones
we collect, a story he would say begins with you, with me,
a story that is forever lost among the backwaters of our lives,
our endless fear of ourselves, and our endless need for hope,
a story, perhaps an answer, a word suddenly on wing, the simple
sound of a torn heart, or the unmistakable scent of the morning's fading moon.
There's always a story. It's all stories, really. The sun coming up every day is a story. Everything's got a story in it. Change the story, change the world.
Work extra hard on the beginning of your story, so it snares reader's instantly. And know how you're going to end your story before you start writing. Without a sense of direction, you can get lost in the middle.
History gets reinterpreted as time goes on. Many times, the participants are lost in the retelling of the story.
Sometimes I get the start of a story from a memory, an anecdote, but that gets lost and is usually unrecognizable in the final story.
Money lost, something lost. Honor lost, much lost. Courage lost, everything lost-better you were never born
The most common characteristic of women's history is to be lost and discovered, lost again and rediscovered, lost once more and re-rediscovered - a process of tragic waste and terrible silences that will continue until women's stories are a full and equal part of the human story.
You have to do three things really well to make a successful film. You have to tell a compelling story that has a story that is unpredictable, that keeps people on the edge of their seat where they can't wait to see what happens next. You then populate that story with really memorable and appealing characters. And then, you put that story and those characters in a believable world, not realistic but believable for the story that you're telling.
It’s no longer about the Lost Boys. They keep trying to make their way out, then they meet other people and empathize with them. It’s a story that a lot of people are going to discover their purpose from. When someone doesn’t know their purpose, they get lost.
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