A Quote by Carly Chaikin

One of the reasons why I love acting is my obsession with human emotion and faces and expressions - no surprise, then, that I usually end up painting faces. But I haven't done a self-portrait. I'd be too scared.
I did work more realistically: I used real anatomy, faces with expressions - not Dick Tracy with his one slip of the mouth and that's it, but actual expressions on the faces that made the characters look like they were saying what was in the balloons.
Just as a human soul that faces great difficulties also faces great opportunities for spiritual growth, so a human society that faces destruction also faces the opportunity to enter a period of renaissance. I think that, barring an accident, the wish to survive will keep us from a nuclear war.
I just love human emotion and faces.
I have found when I look at an audience that the expressions on the peoples' faces aren't always up to par with the sounds that they're making. A crowd can sound like they're having a good time when your eyes are closed but if you open your eyes, the looks on some of those faces don't equal the sound.
If you take a good look at the book [ Stock Photographs], it's largely a portrait gallery of faces - faces that I found dramatic. And some of those turned out to be reasonably dramatic photographs. But that's all it is, I think.
I do portraits. I usually do live models in a class environment, but I've been painting at home more. I really love the human form, and I love faces. I've tried to do landscapes a few times.
I'm an odd portrait painter in that I'm not just interested in human faces. I consider almost all of my paintings to be portraits.
I love being scared, and I always have done. When I was younger, I was always reading books about the paranormal, UFOs, and crop circles. I liked the idea of people seeing faces in walls and twins that could communicate with each other telepathically. I really believed it, too!
When a candidate for public office faces the voters he does not face men of sense; he faces a mob of men whose chief distinguishing mark is the fact that they are quite incapable of weighing ideas, or even of comprehending any save the most elemental - men whose whole thinking is done in terms of emotion, and whose dominant emotion is dread of what they cannot understand. So confronted, the candidate must either bark with the pack or be lost... All the odds are on the man who is, intrinsically, the most devious and mediocre.
The thing about the human face is that we're so genetically programmed to recognize differences in human faces that, when you're digitally affecting faces, you have to be the most careful because even the smallest adjustment and it feels like it just isn't him anymore.
I love faces that have freckles. I love faces that have wrinkles. For me, beauty is naturalism, I guess.
Most men when they make up their faces, the makeup stands forward, and their faces are behind.
I said that when I looked at photographs of the firefighters who went into the Twin Towers, their faces looked to me like Irish faces. I hadn't yet learnt how careful outsiders have to be when talking about race in America, and I'd put my foot in it. Someone stood up and said aggressively, 'What do you mean by Irish faces?'
Penthouse' didn't seem to concentrate as much on the girls' faces, and I really wanted to see the girls' faces. It seems like through the 1980's, they almost went out of their way to obscure the girls' faces.
'Penthouse' didn't seem to concentrate as much on the girls' faces, and I really wanted to see the girls' faces. It seems like through the 1980's, they almost went out of their way to obscure the girls' faces.
I have felt cats rubbing their faces against mine and touching my cheek with claws carefully sheathed. These things, to me, are expressions of love.
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