A Quote by Carly Rae Jepsen

I always write what feels really true and honest and me. — © Carly Rae Jepsen
I always write what feels really true and honest and me.
I'm really just trying... to write what feels true to me. I don't think about a lofty responsibility. I think I'd be paralyzed by that. Like any of my male colleagues, I'm writing the stories that interest me in a way that feels true to me.
There is no part of me that feels that I represented myself as your children’s babysitter or their teacher. I was always, I think, completely honest. I’m a writer, and I will write what I want to write.
There's still a part of me that thinks I have to write a really good novel. I'm not trying to say I'm not happy with the novels I've written in the past. But it always feels to me like there's another one that I have to write that will really say what I want to say, and really paint this world that I can see hazily in my head.
I thought if I was open and honest, it would help the reader to get open and honest, and they also would realize sometimes when you write a book, people think you're an expert and that's not always true.
My grandad gives me an honest opinion on the games and my performance. I really respect him for that. He's really helped me develop as a person and a player, and he's always been honest with me, whether I've had a good or bad game, where I need to improve.
I think I always wanna write comedy because that's what feels truest to me; it feels closest to life as I know it, so that's what I want to reproduce.
I always wanted a great love affair: something that feels big and full, really honest, and enough. No moment should feel slight, false, or a little off. For me, it had to be everything.
My own standards that I'll hold myself to is if the product that I'm making feels honest and it feels like I didn't compromise and it just came from an honest, correct place.
I find it very difficult not to write in any sort of Sudanese style. With Sudanese music, there are very specific things that happen with the syncopation of the drums, melodies and stuff. And whenever I write, that's always the first thing that comes out, because I grew up listening to it. It's a part of me, so I try to bring that out in the music. I think that you have to be honest with what you do, and that's the most honest thing that I can do, is to write that way.
I can write songs, but I'm not gonna really feel good about the song unless it feels like me, and I'm not gonna release a song or put it on an album or play it in concert unless it really feels like me.
I really learned how to improvise at the Groundlings.It's something I've always loved to do. For some reason it feels more honest at times.
When I write sad songs, I feel like I'm sewing up a scar in me, and the outcome always feels so much better than when I write happy ones.
It feels like when I write, it's intuitive. This is true of Frances, and it's true of this [The Funniest Movie Of The Summer].
I don't really see how any song can not feel contrived if it isn't honest, and how could I write honest songs if I don't write about stuff going on in my life and how I'm feeling?
I have read a thousand screenplays, and I have acted in a handful of them, and I have felt when it feels good, the writing, and it feels natural, and feels funny or sad or honest or whatever it may be. You connect. And I felt when it feels like writing, when it feels stale, or when it feels artificial or forced, or too theatrical or whatever.
I have been fighting writing songs for a long time. People keep telling me I should write, and other writers have offered to write with me, and to be honest, it's not something I've ever really had a passion for - plus I wasn't sure I had the talent to do it!
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