A Quote by Carly Schroeder
You really can't do a remake. I mean, 'King Kong' needed its turn to be remade. It needed an update. But the 'Bad News Bears,' or 'The Shaggy D.A.,' those are classic movies. I think they did a good job of remaking them, but it's just not the same thing. Nobody can top Tatum O'Neal. It just isn't the same.
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I was well aware of that when I heard they were remaking 'Total Recall.' My first reaction was: 'Ewww, really okay?' And the director said you should really look at it, the script is good. I had already done a remake. I had just finished 'Fright Night.' When I heard about that being remade, I had a whole ego thing... remake?. 'That is so uncool! I loved the original, I can't possibly do that.
I was young so when I had that job at Burger King, I was still in high school and I just needed to help out my mom. And help myself because I needed to buy some of my clothes. I did that for about three years and I had became a shift manager working at Burger King, doing my thing. I was young and excited to make my own money.
Movies always are open to being remade because times change so much, and the tempo of movies changes. I think of it like a James Bond. They can have different actors play the same role... I've had people come up to me and say, 'We want to remake 'The Jerk' with so and so.' And I say, 'Fine.' It just doesn't bother me. It's an honor actually.
I have made mistakes in the past and been in movies that really weren't good, and that I needed the money at the time, or something -- and the money wasn't even that great. But I needed it, and... they come back on television, those movies... to haunt you. And it's a nightmare!
I think that was one of the things that happened, especially in Ireland, that you left in order to improve yourself, and you couldn't write home and tell people, 'Look, I'm really lonely,' because you'd realize how much those letters were going to matter, that you needed to put good news or uplifting news into them.
I think didactic art is boring. I mean, I love it in terms of, like, some of the historical precedents that I've learned from. You needed that. We needed those building blocks in terms of - you know, when I look at a great Barbara Kruger, for example, and you're thinking about, you know, the woman's position in society - you know, she found a way of making it beautiful, but at the same time it's very sort of preachy, you know what I mean?
With Cleveland, I think they did a great job in knowing what their team needed, and when I came, I just did my job, and they fully embraced me.
Back in the '70s, like one of my favorite movies ever was 'The Bad News Bears', and that was a kids' movie, but I don't think of it that way. I think of it as just a great movie because Walter Matthau was so funny and so harsh with those kids.
A few years after 'Melrose Place,' when the luster of 'Melrose Place' wore off and what was left was just the stink, and I was just doing bad TV movies, that was a personal low point. I felt I needed to stop doing those, and I did.
If you look at the New York Times, it says X; if you look at the Washington Post, it says the same thing. And if you turn on any television newscast it's the same thing you already heard, that's research. And that's one of the ways it's done. Authority ends up being imputed simply because of volume. I mean, all of these different news organizations reporting the exact same thing.
I love rom-coms, and I was bummed that they sort of stopped making them around the time I was old enough to be in them. But at the same time, I so respected the fact that the genre kind of needed an update. But you know, even when rom-coms were at their hey-day, very few people did it at the level of Nancy Meyers.
One and the same thing can at the same time be good, bad, and indifferent, e.g., music is good to the melancholy, bad to those who mourn, and neither good nor bad to the deaf.
We have to take personal responsibility. The government didn't do its job when the institutions needed to be held accountable. If you see something's wrong, you can't just turn the other way. The regulatory system was totally rotten from top to bottom.
When you're doing a film and the majority of the film is cast black, for me, it's most important to get people to view those movies as just movies, as just good movies. At the end of the day, regardless of the color of the cast, we're all doing the same thing in this business: trying to make a good film.
As a goalkeeper, I needed good players around me. I needed Nemanja Vidic, Cristiano Ronaldo, and Wayne Rooney. It's the same as a CEO.
In order for the wheel to turn, for life to be lived, impurities are needed, and the impurities of impurities in the soil, too, as is known, if it is to be fertile. Dissension, diversity, the grain of salt and mustard are needed: Fascism does not want them, forbids them, and that's why you're not a Fascist; it wants everybody to be the same, and you are not. But immaculate virtue does not exist either, or if it exists it is detestable.
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