A Quote by Carly Schroeder
I think that's a great opportunity, to pick a script where you can build up a good skill. I think the main thing I look for when I look at scripts is if it's inspirational. If it's something that teenagers can relate to. And is it something that the audience is going to get something out of. If not, then it's really not worth doing.
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Writing is the great skill, the creative skill. The acting is more an interpretative skill. And the thrill for me is the moment when I think of something. And then the challenge is how to get that funny idea to work in terms of the structure and that kind of thing, which is - and that's what I really love doing.
I think the only thing that we know how to do is look at our characters and ask what is the character doing right now and what do we need to do, and tell it from that place. If we really make it character driven and theme driven, I think we're going to offer up something new for the audience.
In films, you are a commodity. You are a look, something that the camera really likes, something that has struck an audience in a certain way. It's not really so much about transforming yourself the way actors do onstage. I think there's a difference between the skill of acting in movies and onstage.
I think 'Pretty Little Liars' is going to be hugely popular for adults, for kids, for girls, for guys, you know, something for everyone to look at, and the stories are going to be great. There's suspense every week. The friendship is really fun to watch. I think it's going to have something for everybody.
I've just looked for ideas and great characters that I relate to and that I think I can offer something to the audience, and I no longer look at them as experiments or genre exercises at all.
It's not about the script: it's about who the director is and who the other people in the cast are. Because you can look at a great script and execute it in a very sophomoric way, and you can look at an OK script, and you can execute it in a very sophisticated way and come out with something really good.
A lot of times, you design a logo to be timeless, but with something like the Olympics, timelessness is maybe not something you should be going for. Maybe you should be trying to come up with something that will really become associated with a moment in time, a few weeks, that happened, period. Then you look back, think about it and connect it with that time. It may look dated later but it will be still be evocative.
I think many people think competitive eating is a really disgusting sport, so people think they look bad normally. But I care about what I'm wearing. I don't want to be someone who is doing something that is considered gross and then also look like a slob.
I think we need to think about our physical activity as a reward, as something enjoyable and something we look forward to doing, not something that we regard as self-flogging.
I think a great first date would be something different... not like movies or going to dinner... going rock climbing together... doing an activity and then going to dinner, so that you guys share an experience, and then you have something to talk about, and it's not the same old thing.
I think that cancer is a life form that exists out there, and it exists in us. I think even the concept of healing is a spiritual principle that we have to really look at. I think the word itself is something we ought to get rid of, because it implies that there is illness - that there is something wrong.
I studied Comparative Literature at Cornell. Structuralism was real big then. The idea of reading and writing as being this language game. There's a lot of appeal to that. It's nice to think of it as this playful kind of thing. But I think that another way to look at it is "Look, I just want to be sincere. I want to write something and make you feel something and maybe you will go out and do something." And it seems that the world is in such bad shape now that we don't have time to do nothing but language games. That's how it seems to me.
I think the main thing is to find something you care about. A cause. I think it starts with others. Who do you look up to? Who do you want to help? Start in your own community.
The thing everybody thinks of when they think about Russia is how tough the people are. When they see a fighter continuously pulling out, that's something that they really don't like. Then they look at a guy like Conor who always shows up and does what he says he's going to do. That really resonates with the Russian public.
I think plants present an opportunity for people to look closely at something and get invested in something that's truly very much outside of themselves.
One thing I've discovered is that I never think of something that didn't work out as just "something that didn't work out." I think so often with investigative work, things that initially look like failures wind up leading to your biggest stories.
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