A Quote by Carly Schroeder
I've always been more of a camera hog than anything, and it's just another way to get it all out!
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I hate cameras. They interfere, they’re always in the way. I wish: if I could just work with my eyes alone. To get a satisfactory print, one that contains all that you intended, is very often more difficult and dangerous than the sitting itself. When I’m photographing, I immediately know when I’ve got the image I really want. But to get the image out of the camera and into the open, is another matter.
Where do you get the right to decide our lives? I'll tell you where. From that little hog's gut that hangs between your legs. Well, let me tell you something... you will need more than that. I don't know where you will get it or who will give it to you, but mark my words, you will need more than that.... You are a sad, pitiful, stupid, selfish, hateful man. I hope your little hog's gut stands you in good stead, and you take good care of it, because you don't have anything else.
I just feel that I enjoy the work more than I ever have... or just as much certainly... I enjoy making films behind the camera equally to making them in front of the camera on all those years. I just enjoy it, that's all. I've been lucky enough to work in a profession that I have really liked and so I figured I'd just continue until someone hits me over the head and says "get out".
I invented a camera that has an exposure time of one hundred years and the camera works in the simplest possible terms, because anything more complicated is more likely to break down in one way or another. It's a pinhole camera that lets in very low light and instead of exposing film, which is going to spoil within a matter of days or weeks, I'm using ordinary black paper.
I've been doing stand-up longer than I've been doing anything. It's just learning how to act on camera, trying to get better at that, figuring out how to make my humor translate and bounce off other people. It's not a big challenge, but the main thing is just trying to be on point and be the best I can be on these shows.
I think I've spent more time in front of a camera than off camera. That's just the way it is.
The camera for an artist is just another tool. It is no more mechanical than a violin if you analyze it. Beyond the rudiments, it is up to the artist to create art, not the camera.
It's a hard job to get the camera to see it like you see it. Sometimes you have it just the way you want it, and then you look in the camera and you don't have the balance. The main thing is to get the camera to see it the way you see it.
Happiness, like health, is probably also only a passing accident. For a moment or two the organism is irritated so little that it is not conscious of it; for the duration of that moment it is happy. Thus a hog is always happier than a man, and a bacillus is happier than a hog
I've been auditioning for a few movies here and there. I don't want anything to get in the way of the music any more than it has. It hasn't really gotten in the way; I've been doing two things at once.
All teenagers knew this was true. The process of growing up was nothing more than figuring out what doors hadn't yet been slammed in your face. For years, parents tell you that you can be anything, have anything, do anything. That was why she'd been so eager to grow up-until she got to adolescence and hit a big fat wall ofreality. As it turned out, she couldn't have anything she wanted. You didn't get to be pretty or smart or popular just because you wanted it. You didn't control your own destiny, you were too busy trying to fit in.
In Yiddish, we say, 'Nisht ahin un nisht aher.' It's neither here, it's neither there. I get more nerves than on anything I do when I'm doing multi-camera. But single-camera, I love very much.
I wouldn’t say I’m a ball hog. I’m a shooter. I don’t necessarily hog the ball, but I put them up though. I definitely much rather shoot it than pass it. That’s just how I am.
There were always more Negroes in the field than there was Negroes in the house. The Negro in the field caught hell. He ate leftovers. In the house they ate high up on the hog. The Negro in the field didn't get nothing but what was left of the insides of the hog. They call 'em "chitt'lin'" nowadays. In those days they called them what they were: guts. That's what you were -- a gut-eater. And some of you all still gut-eaters.
I try to cover myself, to have another movie under way before the last one comes out. I've been able to just scrape by, holding out for good parts instead of taking anything.
I've been acting since I was 2 and have always been on camera but doing a video is different because when you're acting, you pretend the camera's not there and you just do the scene and with a music video you're right in the camera so it feels weird sometimes.
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