A Quote by Carly Simon
It's like The Mold in Dr. Florey's Coat, about the discovery of penicillin. Out of these strange accidents come huge discoveries. A certain purple bleeds into red and all of a sudden you have something unexpected.
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[In the case of research director, Willis R. Whitney, whose style was to give talented investigators as much freedom as possible, you may define "serendipity" as] the art of profiting from unexpected occurrences. When you do things in that way you get unexpected results. Then you do something else and you get unexpected results in another line, and you do that on a third line and then all of a sudden you see that one of these lines has something to do with the other. Then you make a discovery that you never could have made by going on a direct road.
Musical accidents are a gold mine. The thing about accidental discoveries is they won't be made unless you put yourself in a position to make that discovery. To do that means hundreds of hours, days and weeks where you do things and don't discover anything.
If I decide to make a coat red in the show, it's not just red, I think: is it communist red? Is it cherry cordial? Is it ruby red? Or is it apple red? Or the big red balloon red?
I think that probably the moments of discovery do come from a place that is not totally organized. Order is something that we already know about. Discoveries are in a place we don't already know about.
If I tell you purple look good on you, and you ain't never wore purple, your favorite colors are red and green, and you're like, No man, these my colors. You won't know purple is your color until you try it on.
There are almost unlimited possibilities for making discoveries and to uncover the unknown. It is in the nature of the discovery that it can not be planned or programmed. On the contrary it consists of surprises and appears many times in the most unexpected places.
The life of Dumas is not only a monument of endeavour and success, it is a sort of labyrinth as well. It abounds in pseudonyms and disguises, in sudden and unexpected appearances and retreats as unexpected and sudden, in scandals and in rumours, in mysteries and traps and ambuscades of every kind.
I love red. Red pants. Red suit. Red coat. Red anything.
I have a couple ideas that I'm banging on for a film. It's strange, you make a movie and, all of a sudden, your agents are calling you and saying, "Hey, I know these guys with some money who are looking to finance something." You're like, "Oh, god, now I've gotta come up with something really amazing."
Don't keep forever on the public road, going only where others have gone. Leave the beaten track occasionally and dive into the woods. You will be certain to find something you have never seen before. Of course it will be a little thing, but do not ignore it. One discovery will lead to another, and before you know it, you will have something worth thinking about to occupy your mind, and really big discoveries are the result of thought.
Money is the driving force of Hand to Mouth, the lack of money, and all those true stories about strange things in The Red Notebook, coincidences and unlikely events, surprise, the unexpected.
It is one of our most exciting discoveries that local discovery leads to a complex of further discoveries.
'Almost' is all about gradations and nuance and about suggestion and shades. Not quite a red wine, but not crimson, not purple either, or maroon; come to think of it, 'almost' Bordeaux.
In the world's history certain inventions and discoveries occurred, of peculiar value, on account of their great efficiency in facilitating all other inventions and discoveries. Of these were the art of writing and of printing - the discovery of America, and the introduction of Patent-laws. The date of the first ... is unknown; but it certainly was as much as fifteen hundred years before the Christian era; the second-printing-came in 1436, or nearly three thousand years after the first. The others followed more rapidly - the discovery of America in 1492, and the first patent laws in 1624.
I still think there is a huge emphasis on how women look, whether it's fitting a certain mold to play a certain type of character, or the idea that we might have insecurities based on the standards we see in the media.
It's a huge, huge pressure that so many people depend on you. The type of player I am and people look at me to come out and perform a certain way. Not being able to play on the biggest stage of the season, it's frustrating. One thing I wanted to do was not be frustrated about it and figure out what I can do to change and better myself on the court.
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