A Quote by Carly Simon

I'm still more comfortable with standards than with my own songs. — © Carly Simon
I'm still more comfortable with standards than with my own songs.
I've only recorded my own songs. I don't consider myself a great singer, so I wouldn't be comfortable interpreting other people's songs.
You're supposed to create new standards. The more you play songs by your peers, they become standards, you know? Miles Davis played 'Gingerbread Boy' 'cos he and Jimmy Heath were cool, you know? That's how the culture goes.
Marilyn Monroe gave more to the still camera than any actress, any woman I've ever photographed; infinitely more patient, more demanding of herself and more comfortable in front of the camera than away from it.
Now that I am an adult, I'm very comfortable in my own skin. I'm a lot more settled down and I learnt to just be comfortable with where I'm at, rather than always wanting to be somewhere ahead of where I am.
It's your life - but only if you make it so. The standards by which you live must be your own standards, your own values, your own convictions in regard to what is right and wrong, what is true and false, what is important and what is trivial. When you adopt the standards and the values of someone else . . . you surrender your own integrity. You become, to the extent of your surrender, less of a human being.
I think I'm better at live shows than I used to be because I'm way more comfortable with the uncomfortable pauses between songs.
The Common Core State Standards are more rigorous standards than the great majority of states had in place previously.
Granted the endless variations of moral customs, still the essential standards persist. As in a scientific laboratory, all else may change but the standards are unalterable- disinterested love of truth, fidelity to facts, accuracy in measurement, exactness of verification-so, in life as a whole, the towering ethical criteria remain unshaken. Falsehood is never better than truth, theft better than than honesty, treachery better than loyalty, cowardice better than courage.
Las Vegas is still socially sanctioned deviance. Its brand is just more comfortable to more Americans than it used to be.
I wanted to give the songs a run for their money, to see if they stood on their own without a lot of accoutrements. It made more sense - and it was easier, too - to go out alone and see if these songs could get in a couple of fistfights and still be standing.
When I pull into a city and I rent a car and it's Nashville, or it's London, or I'm driving in the taxi to the hotel, and on comes one of my songs, it's like, 'Oh my God, they're still playing these songs on the radio.' And you still feel tearful and very grateful that somebody still likes these songs that you made up.
We need to discuss what our own standards are for games writing that falls outside of journalism, and support experimental formats and routes of production that may be more tailored to them than the status quo, because the public at large seems to still think that the only games writing that exists are reviews and news.
One does not avoid incompetence if one makes an attempt whose likelihood of success is too low. This seems little more than analytic: when the performance is in a domain that imposes standards of risk, attempts may or may not meet such standards. And the relevant competence of agents then includes reliably enough meeting those standards.
I'm not like other writers. I'm not hung up on using my own songs. In fact, my sister Bunny always tells me I sing other people's songs better than my own. She says I loosen up and give the songs a different feel.
What is to be done? We who are still half alive, living in the often fibrillating heartland of a senescent capitalism -- can we do more than reflect the decay around and within us? Can we do more than sing our sad and bitter songs of disillusion and defeat?
I write all my own songs and they are just simple melodies with a lot of lyrics. They usually have to do with current events and what is going on in the news. You can call them topical songs, songs about the news, and then developing into more philosophical songs later.
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