A Quote by Carly Simon

One of the things that has always motivated me to write is the desire to get it out and look at it in an objective way, so that it doesn't cause me any serious pain by staying inside.
Throughout all of the changes that have happened in my life, one of the priorities I've had is to never change the way I write songs and the reasons I write songs. I write songs to help me understand life a little more. I write songs to get past things that cause me pain. And I write songs because sometimes life makes more sense to me when it's being sung in a chorus, and when I can write it in a verse.
The main objective in any song, the songs that I write, has always been that it reflect the way I feel, that it touch me when I'm finished with it, that it moves me, that it can take me along with it and involve me in what its saying.
My heart is drawn to the small, out-of-the-way things that I can't help but to give my focus and attention and care, 'cause they shut off what hijacks my brain and help to tune out what can cause me pain.
I almost always write everything the way it comes out, except I tend much more to take things out rather than put things in. It's out of a desire to really show what's going on at all times, how things smell and look, as well as from the knowledge that I don't want to push things too quickly through to climax; if I do, it won't mean anything. Everything has to be earned, and it takes a lot of work to earn.
When I think about the things that cause me pain or the things that cause me trouble or frustration, it's not people asking for my autograph; it's people breaking my heart. That happens to you whether you've sold millions of records or whether you're taking classes at college. You're going to believe people when they say that they love you. I don't leave out details when I write songs about that. I try to make my songs as personal as possible because, ultimately, my music started out as just trying to turn my diary entries into something that was a piece of music. And that has never changed.
The hip-hop aesthetic and the way it's produced always motivated me. Alongside that I was still wanting to make great traditional songs because I've never had any desire to rap. My love of hip-hop is driven by my love of rappers, but it was built out of my love of producers.
Life is pitiful, death so familiar, suffering and pain so common, yet I would not be anywhere else. Do not wish me out of this or in any way seek to get me out, for I will not be got out while this trial is on. These are my people, God has given them to me, and I will live or die with for Him and His glory.
I have to give credit to my trainer. He definitely kept me motivated in staying in shape... I've always been naturally curvy, but of course I had to get used to being in the public eye.
You can look at Bad Religion, and, really, almost everything I've ever done was an exercise in creativity. I've always had a desire to challenge and question authority, and that's where the fire inside comes from. I challenged authority out of a desire to make things better, not to be nihilistic about it.
I saw a spider, I didn't scream 'Cause I can belch the alphabet Just double dog dare me And I chose guitar over ballet And I tape these suckers down 'Cause they just get in my way The way you look at me Is kind of like a little sister You high five your goodbyes And it leaves me nothing but blisters So I don't want to be one of the boys.
The way I look and the shape I am in, I've had so many people tell me, 'You'll never make it because of the way you look.' But that never stopped me - it may even have motivated me a little.
Some are motivated by a desire to mould the law to expand the rights of the downtrodden, while other may be motivated by a desire to maintain the Status Quo. Some may even be motivated by a desire to protect what they perceive to be their class interest. And such motives may not always even be conscious to the judges.
To feel the suffering and then to know the pain of the unnecessariness of it. That right there has me in its grip. The only way through that is serious prayer. I can't get through it any other way. I've got to believe that that's making a difference somehow. I can't see the difference, but I've got to believe it does, because in some way it lets me sleep at night. My only other alternative is to become angry, and I can't go that direction.
I don't like the strictly objective viewpoint [in which all of the characters' actions are described in the third person, but we never hear what any of them are thinking.] Which is much more of a cinematic technique. Something written in third person objective is what the camera sees. Because unless you're doing a voiceover, which is tremendously clumsy, you can't hear the ideas of characters. For that, we depend on subtle clues that the directors put in and that the actors supply. I can actually write, "'Yes you can trust me,' he lied." [But it's better to get inside the characters' heads.]
I don't like to talk much, even when people speak bad about me. Inside me, I say, 'Why do they have to think of me that way?' But I know how I am. My objective is not that people follow me, but I'm happy that they do.
Even then, it hurt. The pain was always there, pulling me inside of myself, demanding to be felt. It always felt like I was waking up from the pain when something in the world outside of me suddenly required my comment or attention.
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