A Quote by Carmella

Being a manager for Enzo and Cass in NXT was great. I got a lot of experience with doing that. — © Carmella
Being a manager for Enzo and Cass in NXT was great. I got a lot of experience with doing that.
A lot of the fans don't necessarily get to see what I can do, because they've seen me as the hype girl for Cass & Enzo.
I've got my eye on Big Cass and Enzo Amore. I think they ooze everything that it takes to be a WWE superstar. They have so much energy. Those guys and the Vaudevillains are the guys I've been tipping my cap to on the viewership side.
I was imagining a long life of being a stone cold loser. Then I got a job, which was really nice, then I got a great agent, a great manager, which was really nice. I was doing a lot of set ups, and, you know, I got to start working in L.A.
Being in the WWE is special; NXT was a great experience: being the champion and the face of the company was amazing.
Lifelong wrestling fans who are discovering NXT and being like, 'Wait, this is the kind of wrestling I used to like,' or, 'I like this' - it's succinct. It's an hour long. You've got some great wrestlers, and you've got great storytelling, and it's simple, and it's gritty.
I don't see [ Trainspotting ] as an albatross, I see it more as a calling card. It's got me out to Hollywood, I've got a good agent, I've got a good manager, I'm getting a lot of work out there and doing a lot of stuff - getting a lot of film projects on the go.
I think the guys who have been on NXT and got to go to 'RAW' or 'SmackDown' got the full experience. That's what I want.
NXT has been great to me. I love being able to wrestle the way I want to wrestle and be who I want to be. NXT is this amazing platform to do that.
There's got to be a role for an experienced football person helping the manager; not being a threat to the manager, but helping and sorting out a lot of the hassle he has, you know? Letting him concentrate on managing the football side.
Despite all my experience of being a player, I've never had the experience of being a manager which is a different concept from being a coach.
'Idol' was a great experience. It was a great stepping-stone. I got to meet a lot of amazing people through that and learn a lot of great things. But afterward - that's what I tell a lot of people - it's up to you to represent it as an artist.
When I started coming on the scene, just really new into NXT, and people started seeing me, I got a lot of positive feedback from my friends, my friends back home. They were like, 'Oh, you are doing such great things for young girls,' and then it clicked in my head, like, 'Wow! I didn't know that was something I could do here.'
When I left NXT, I was kind of mad that I was never NXT champ, so when I got to the main roster, that was my first goal.
I wouldn't recommend working with your partner for everyone, because it's tough. There's got to be a really keen balance. You've got to know when to stop being the manager and become the husband. I can't go home and complain to my husband about my manager.
When I won the NXT women's title from Natalya at Full Sail, becoming the second-ever woman's champion for NXT, that's when I knew, 'Okay, I'm doing the right thing,' and that I could do this.
The atmosphere we get with NXT and NXT fans, they're a die-hard group. They care deeply about NXT.
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