A Quote by Carmen Ejogo

The Hollywood culture is so invasive, and I definitely wanted to be near it eventually. — © Carmen Ejogo
The Hollywood culture is so invasive, and I definitely wanted to be near it eventually.
The problem in Hollywood is that they try to become the only kind of cinema in the world, okay? The imposition everywhere of a unique culture, which is Hollywood culture, and a unique way of life, which is the American way of life. But Hollywood has forgotten that, in the past, what made Hollywood great and what made it go ahead was the fact that Hollywood was fed with, for example, Jewish directors coming from Germany or Austria and enriching Hollywood. In 15, 20 years, Hollywood became imperialistic. Cinema goes ahead when it is marriaged by other culture. Otherwise, it turns on itself.
I grew up right near Hollywood, and I wanted to be a filmmaker.
'Hollywood Don't Surf!' is really about how Hollywood's superficial view of surfing culture has influenced popular culture and the story of what happened when real surfers tried to change that.
I came out to Hollywood when I was just 18, and my dad, he was really into Hollywood and theater and art, and I guess growing up, he exposed me to a lot of culture, and I just started making Super-8 films in high school and decided I wanted to be a filmmaker.
Since the 1960s, mainstream media has searched out and co-opted the most authentic things it could find in youth culture, whether that was psychedelic culture, anti-war culture, blue jeans culture. Eventually heavy metal culture, rap culture, electronica - they'll look for it and then market it back to kids at the mall.
It's that invasive and puerile curiosity to feed a tabloid culture. I don't subscribe to it.
I think I realised, at teachers' training school, that I felt that the culture that I came from, the Sámi culture, was not good enough, so I wanted to be Norwegian or European, I wanted to forget the culture. And then this music started to... in a way I had to ask myself "why is this, and what does all this come from?
The problem in Hollywood is that they try to become the only kind of cinema in the world, okay? The imposition everywhere of a unique culture, which is Hollywood culture, and a unique way of life, which is the American way of life.
I'm meant to be an animation director. That world, and the culture of stop-motion, is where I want to live. It's more my problem than Hollywood's. I'm not attuned to Hollywood.
I never wanted to return to Hollywood because Hollywood people and the fakeness - very artificial and not dear to my heart. After I lived in the Midwest, and I learned what sincere, real people were all about, I never wanted to go back.
I read that Hollywood wanted to film Fences years ago with a white director, but [August] Wilson refused. He thought that the director needed to have lived the culture of black Americans.
Being a Filipino actor in Hollywood, the most frustrating part of landing roles in Hollywood is definitely the limited roles available and the lack of diversity.
They're lacking culture in Hollywood. That gives me a big up, right? I know something about pop culture.
I definitely wanted to be an actor. I didn't want to be on TV, I didn't want to be famous, I didn't want to be anyone in particular; I just wanted to do it. I see young people now who look at magazines, or American Idol and their goal is to have that lifestyle - to have good handbags, or go out with cute guys from shows, or whatever. But I definitely wanted to be an actor.
Hollywood pushes a liberal agenda to the rest of the country. And, whether we like it or not, Hollywood dictates the culture of the country.
A lot of people who are actors and artists who work in Hollywood come from a background of abuse, and you can make abused people very fearful and they'll do what they're told. Hollywood definitely has a point of view that it sells.
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