A Quote by Carmen Ejogo

Any good director, and I've worked with a few that I would call very good, they know how to disarm any anxieties very quickly. — © Carmen Ejogo
Any good director, and I've worked with a few that I would call very good, they know how to disarm any anxieties very quickly.
How is your health? I feel pretty good, and I'm very anxious to get the season going. I think we have a chance to have a good football team. I don't have any health problems. I don't know how any of the stuff gets started. . . . My health is very good.
One thing which no one knows about me is I could be very good director. Although I have not directed any movie so far but I am sure the day I start it, I would be very good at it.
I've seen a lot of people burn very brightly and very quickly, and I think you can become overindulgent sooo quickly in this business, and so I try not to fall into any of the trappings that would affect me very negatively.
I've been writing the show with Nigel Coan, the director of 'Luxury Comedy', and Tom Meeten. Three's good. With two, you can lock horns a bit. On your own, you're not sure whether what you've made is any good. I don't know how people write novels. I would go mad.
I can't come up with any good reason why they [the INS] would unilaterally disarm.
It's not great if someone gives you sort of bland praise without giving you clear direction and say, "This is good, let's try it like this." I have worked with someone who seemed quite inarticulate and just would say, "That's good, that's good." That's very frustrating because - it's nice to know something is good but you know it can always change.
A very good drink they call Chaube that is almost as black as ink and very good in illness, especially of the stomach. This they drink in the morning early in the open places before everybody, without any fear or regard, out of clay or China cups, as hot as they can, sipping it a little at a time.
There's so many great matches that you can think of. I could fantasy book all kinds of stuff, you know, fight a few family members. If we could have Umaga back, I would love to wrestle him in any arena in any town just because of how good he was.
When you're starting out as an actor people are very interested in who you are because they want to know where they can put you. And quite often, and we're all guilty of this is our lives, we judge very quickly and we pigeon-hole people very quickly based on how they look and how they talk and how they dress and we think: "Oh yeah, we know who you are."
I lost a good friend a few years ago, and it happened quite suddenly. Any event like that leaves you with questions. Would a phone call have made a difference? Did the person know that you were there for them?
I was twenty-nine years old and I wasn't a very good poet and I wasn't a very good novelist, [so] I thought I would try writing a play, which seems to have worked out a little better.
I'm not a very good predictor in any area of art, particularly my own. I don't know how to evaluate that.
When I meet a good actor, I would like to be a director. When I meet a good director, I would like to be an actor. When there is a good script, I would like to be both a director and an actor. The switch is very natural, not intentional.
Pogba is a good player, I know him very well. For any team he would be fantastic.
There's obviously something that feels very good about being with a new filmmaker who's very excited, but I also think there's something very comforting in a director who's been around a few times. Both have their pros and cons.
You never know if it's any good until people respond to it. You know how it feels when you do it, but there's so many things involved. The thing you do realize is, if the movie isn't any good, then it's your fault. That's what you think about.
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