A Quote by Carmen Electra
I'm still the girl that might get up to dance on the table. It's just who I am, and I'm going to be me and that's it.
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I love to dance, so I'm definitely always the first one out on the dance floor. And when it comes to guys, I don't get shy. So if I wasn't with a date, I wouldn't have a problem going up to a guy and just saying, 'Are you gonna dance with me?' Trust me, it'll work for you too! Guys like it when you aren't afraid to make the first move.
I just didn't feel very good. One day I woke up and I was like: "All right. I'm going to start eating right. I'm going to start working out." I figured it might help me feel a little bit better - even if I was still sick, it might help me move forward with my struggles. I just kind of turned a corner.
I'm going to do 'The Social Network Two: The Electric Boogaloo.' And I have a part in 'Beige Swan.' I'm going to be the lead, but I don't dance. I just do a lot of sitting down. It's too tiring to get up and dance around. That should be coming out in 20-never.
I grew up on Bond, and it is part of my culture, especially in Britain. Just to be known as a Bond girl is an incredible thing for me, because some of my favorite actresses have been Bond girls, like Diana Rigg and Honor Blackman, and they have continued to work and be brilliant. I am honored and flattered to be called that, even though I don't really think my character is Bond-girly, but I'm still going to be labeled as a Bond girl, which is completely brilliant.
I just want to get on a table, dance on someone's tater tots, and wait for the hall monitor to drag me away
That adolescent me, the girl who was, as I remember her, insecure, unsure, dreaming, yearning, longing, that girl who was hard on herself, who was cowardly and brave, who was confused and determined-that girl who was me-still exists. I call on her when I write. I am the me of today-the person who has become a woman, a mother, a writer. Yet I am the me of all those other days as well. I believe in the reality of that past.
I am so, so lucky. I am the luckiest girl in the world, really. And still with access to everything I could possibly want I still say 'Oh dear, what am I going to wear today?' There's no ending to that question!
I pole-dance. I do. I do it at an aerobics center. Having done gymnastics for 13 years, I find it's one of the only things where I can still use my core and all my muscles. Plus, it's fun: You're a girl, and you get to dance around a pole!
I grew up in Atlanta, Georgia, and I honestly started performing for my family when I was around three. I would jump up on the coffee table and I would get in the closet and ask that they introduce me to come out, and from that point on, my mother stuck me in dance class and children's theater.
Lady Dance's music wasn't a magic charm. I'd misunderstood. We had all failed to understand. The song and dance didn't stop us dying. It just stopped the fear of death swallowing us up while we were still alive. 'Rejoice,' came the soft voice of Lady Dance in my mind. 'Watch the moon and stars...' Death had ruled my life till I met Lady Dance. Her dance had set me free.
I wonder if any of them can tell from just looking at me that all I am is the sum total of my pain, a raw woundedness so extreme that it might be terminal. It might be terminal velocity, the speed of the sound of a girl falling down to a place from where she can't be retrieved. What if I am stuck down here for good?
When I meet a girl, I just sort of do really over-exaggerated terrible dance moves... a lot of hip movements. I get them laughing, and get them to feel pity for me, and then they like me!
Salomé, Salomé, dance for me. I pray thee dance for me. I am sad to-night. Yes, I am passing sad to-night. When I came hither I slipped in blood, which is an evil omen; and I heard, I am sure I heard in the air a beating of wings, a beating of giant wings. I cannot tell what they mean .... I am sad to-night. Therefore dance for me. Dance for me, Salomé, I beseech you. If you dance for me you may ask of me what you will, and I will give it you, even unto the half of my kingdom.
I used to get the girl; now I get the part. In 'The Quiet American' you may have noticed I got the part and the girl. It's a milestone for me, because it's the last time I'm going to get the girl.
I'm still just a loud-mouth girl from Michigan. I thought I might've grown out of that, but people are always reminding me that I haven't.
You may be more talented than me. You might be smarter than me. And you may be better looking than me. But if we get on a treadmill together, you are going to get off first or I am going to die. It's really that simple. I'm not going to be overworked.
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