A Quote by Carmen McRae
Oscar Peterson is my favorite all-around pianist. There are pianists I like because of one thing and pianists I like because of another. But overall, I like Oscar Peterson best.
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I picked up some wonderful things just listening to other pianists that I appreciate, and that would be Herbie Hancock, Oscar Peterson, Vladimir Horowitz, and Art Tatum. Those are the pianists I really enjoy and admire.
Oscar Peterson is the greatest living influence on jazz pianists today.
Most pianists listen to about four or five different piano players before they call it quits and say, 'Okay, I've got my thing together.' Herbie Hancock, McCoy Tyner, Bill Evans, Keith Jarrett and maybe Chick Corea. Or maybe before that, Oscar Peterson.
There are three kinds of pianists: Jewish pianists, homosexual pianists, and bad pianists.
I have believed for many years that Oscar Peterson is not only the greatest pianist in jazz today, but the greatest it has ever known.
Oscar Peterson plays the best ivory box I've ever heard.
I applied, and I got in as a pianist. Their idea in the music department was that pianists, if they were good enough to get in, they were good enough to learn a new instrument. They felt sorry for pianists being alone in the practice room all the time, and they really wanted to socialize us pianists.
It has always been Oscar Peterson. He is my Rachmaninoff.
I was able to get a few words out that Scott Peterson was the Scott Peterson that had a missing, pregnant wife and ... I just shook. They said I was there probably like an hour and it just seemed like a moment ... I couldn't stop shaking. So I was, I guess, in shock.
My dream as a child was to play with a bass player like Ray Brown, who played with the Oscar Peterson Trio. The feeling I had listening to his work was almost carnal, so to actually play for him was earth-shattering for me.
You know, another jazz drummer, Ed Thigpen, who played with Oscar Peterson way back - it was the first time I ever heard rivets in a cymbal. And then I heard that Chico Hamilton had them too, and I went, 'Oh, that's it. I'm taking that for my sound.' And it worked well on 'Riders On The Storm,' so that's one thing.
As a kid, I used to go see all the jazz players, Oscar Peterson, Stan Kenton, Dave Brubeck, Dizzy Gillespe.
I loved when my dad was home. He liked to sit in the living room and watch boxing and baseball on TV. Or he'd be tinkering around or listening to records by his musician buddies - George Shearing, Oscar Peterson and the Jackie Gleason Orchestra.
Jazz doesn't have much to do with how I write songs, but I am a big fan. My favorites are Oscar Peterson, Ahmad Jamal, and Mose Allison.
Some pianists seem to really remember the keys and not so much the notes they play. They want to learn until it's a physical habit that can be replicated. For pianists, this is much more of a problem than for other instruments, like the violin, where you actually have to think of the pitch.
Whenever I record something, I always believe that it's worthy of inclusion in the pantheon, and I would certainly like pianists to pay more attention to it. I think it's ridiculous now, because the range of repertoire - or what's considered 'safe' - is so narrow, even though there are pianists who are really trying to push the envelope. There is still a lack of attention, and there's no reason for it. The piano repertoire is so rich, with so many wonderful things that still are not given their due.
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